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The “Negative Dialectics” of Louis Zukofsky’s “A”
2002Zukofsky’s “A” always demonstrates a reflexive imagination in its attempt to grasp the way subjects actively constitute the world: the way humans are agents in creating ideologies and what is known and not merely passive recipients of “reality” and impersonal verities.
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Man Engendered: Effeminizing Louis Zukofsky
2019This article considers the poetry of Louis Zukofsky, who writes from the margins of American society in the beginning of the twentieth century as he comes from a poor family of Jewish immigrants. The article applies a number of attributes that are associated with Women’s Poetry to Zukofsky’s work.
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Louis Zukofsky and Quantum Criticism (A/One Conclusion)
2012The above questions are precisely (but not exhaustively) those that parability and Intuitions In would like to begin anew with each time, each question, each object of criticism. With respect to a criticism that is concerned with social justice, parability shares certain commonalities with Jacques Derrida’s sense of the relationship between history and
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Louis Zukofsky and the Poetry of Knowledge
The Modern Language Review, 2000Stephen Matterson, Mark Scroggins
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Louis Zukofsky and the Memory of Words
2006The article considers American poet Louis Zukofsky’s work in roughly chronological order so as to trace the development of his faith in the memory of words, in the ability of quoted words to remember their origin, to drag their contexts along, to stand for a longer development, and more generally to accumulate information.
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