Design and use of a hackable digital instrument [PDF]
, 2014 This paper introduces the D-Box, a new digital musical instrument specifically designed to elicit unexpected creative uses and to support modification by the performer.
International Conference on Live Interfaces +2 more
core
Les gestes de travail du luthier [PDF]
, 1985 Article réédité dans Travaux du LAPMO, Aix-en-Pce, 1988, 228-241National audiencePour étudier les gestes de travail du luthier, différentes approches sont ici mobilisées.
Claudot-Hawad, Hélène
core +1 more source
Of epistemic tools: musical instruments as cognitive extensions [PDF]
, 2009 This paper explores the differences in the design and performance of acoustic and new digital musical instruments, arguing that with the latter there is an increased encapsulation of musical theory.
Magnusson, Thor
core +1 more source
Wiring the ear: Instrumentality and aural primacy in and after David Tudor’s Unstable Circuits [PDF]
, 2016 The early 20th century saw a spate of innovative electronic musical instruments. For instance, the theremin (1919) and Ondes Martenot (1928) not only offered new sound generation techniques, but married them to similarly innovative means of interaction ...
Dalgleish, Mat
core +1 more source
Searching for material symmetries in the burr wood of thuja by a direct contact ultrasonic method on spherical samples [PDF]
, 2011 International audienceThis work is part of a program that aims at studying the burr wood of thuja (Tetraclinis articulata). The goal of this work is to identify material symmetries of burr wood to improve its machining.
Arnould, Olivier +6 more
core +4 more sources
Ergomimesis: towards a language describing instrumental transductions [PDF]
, 2018 This speculative paper proposes a terminology of ergomimesis for engaging with the way new musical instruments derive their design from previous music technologies. What new instruments translate from earlier technologies are not simply the simulation of
Magnusson, Thor
core
An epistemic dimension space for musical devices [PDF]
, 2010 The analysis of digital music systems has traditionally been characterized by an approach that can be defined as phenomenological. The focus has been on the body and its relationship to the machine, often neglecting the system’s conceptual design.
Magnusson, Thor
core +1 more source
Beyond " clear wood " : exploring the structure-properties of figured woods and of woods with strong gradients selected in craftsmanship [PDF]
, 2018 National audienceThis poster presents a beginning Ph.D. research. The subject focuses on an apparent paradox between different approaches to wood: from the viewpoint of engineering sciences (as from industrial uses), "good" wood is orthotropic, well ...
Alkadri, Ahmad +6 more
core
Y a-t-il un "art poétique" surréaliste? [PDF]
, 1990 L'auteur propose une typologie sommaire des différents arts poétiques en vers, qui se répartissent en effet en au moins trois groupes distincts, selon que les auteurs mettent l'accent sur une philosophie générale de la poésie - c'est-à-dire sur les ...
Née, Patrick
core +1 more source
Design Considerations for Instruments for Users with Complex Needs in SEN Settings. [PDF]
, 2017 Music technology can provide unique opportunities to allow access to music making for those with complex needs in special educational needs (SEN) settings.
Davis, Tom, Ward, Asha, Woodbury, L.
core +1 more source