Results 21 to 30 of about 944 (159)

Calvary [PDF]

open access: yesЛитературный факт, 2022
The article is dedicated to the subject of the crucifixion in Russian lyric poetry of 19th–21st centuries. It studies five poems that present different images of Calvary. Analyzing A.S.
Irina Z. Surat
doaj   +1 more source

Book reviews: Greg Thomas, Border Blurs: Concrete Poetry in England and Scotland (2022); Zoë Skoulding, Poetry & Listening: The Noise of Lyric (2020)

open access: yesJournal of British and Irish Innovative Poetry, 2022
Alice Tarbuck reviews Greg Thomas, Border Blurs: Concrete Poetry in England and Scotland (2022); Nandini Ramesh Sankar reviews Zoë Skoulding, Poetry & Listening: The Noise of Lyric (2020). 
Alice Tarbuck, Nandini Ramesh Sankar
doaj   +2 more sources

Bodies of Water in the Poetry of Eavan Boland (IRE) and Rhian Gallagher (NZ)

open access: yesABEI Journal, 2021
In the poetry of Eavan Boland and second-generation Irish poet Rhian Gallagher, bodies of water are summoned to enact the ritual or vocation towards embodiment in the lyric. In this article, I argue that a Catholic upbringing influences how a poet treats
Emer Lyons
doaj   +1 more source

Schema L? Zur wissensvermittelnden und erkenntnisgenerierenden Funktion von Schemata in Lyrik am Beispiel einiger Altersgedichte von Harald Hartung

open access: yesInternationale Zeitschrift für Kulturkomparatistik, 2019
This paper characterizes several ways of transferring knowledge via lyric poetry. It is argued that conveying information via schemata is a prevalent mode of that kind.
Claudia Hillebrandt
doaj   +1 more source

Lehrgedicht, Gedankenlyrik, Stimmungslyrik: Überlegungen zur Gattungsspezifität der kognitiven Signifikanz von Lyrik mit Analysen zu Christoph Martin Wieland, Johann Wolfgang von Goethe und Kerstin Preiwuß

open access: yesInternationale Zeitschrift für Kulturkomparatistik, 2019
Can we learn something from poetry? Can poems convey to their readers insight, knowledge, orientation, understanding or even wisdom? The paper assumes that general answers to these questions are possible but often lacking in substance.
Benjamin Gittel
doaj   +1 more source

Pielęgnowanie intymności – użycie drugiej osoby gramatycznej w poezji lirycznej

open access: yesTeksty Drugie, 2020
Philosophers discussing lyric poetry often focus on first personal expression as a mark of the “lyric” which has resulted in a narrow characterisation of the nature of intimacy in lyric poetry that focuses on the individual poet, poetic voice, or reader.
Karen Simecek
doaj  

Τὸ καλόν as a Criterion for Evaluating Innovation (τὸ καινόν) in Greek Theory of Musical Education: “Ancient” versus “New” Music in Ps. Plut. De musica

open access: yesPeitho, 2017
The Pseudo-Plutarchan De musica provides us with the oldest history of Greek lyric poetry from the pre-Homeric epic poetry to the lyric poetry of the fourth century B.C.
Antonietta Gostoli
doaj   +1 more source

Narratology and the study of lyric poetry

open access: yesLiterator, 2010
This article provides a brief discussion of the theoretical and historical underpinnings of the study of narrativity in lyric poetry. As part of the justification of studying narrative aspects of lyric poetry, reference is made to contemporary paradigms ...
H.J.G. Du Plooy
doaj   +1 more source

К проблеме автобиографического прочтения поэтического текста: на материале рецепции творчества Марины Цветаевой и Василя Стуса

open access: yesAvtobiografija, 2014
The relationship between poetry and autobiographical writings cannot be univocally defined. However, in some cases the identification of a poetic cycle as a lyric diary can prove a fruitful approach to its understanding. J. Taubman’s study on Tsvetaeva’s
Alessandro Achilli
doaj   +1 more source

Analysis of the Structure and form of narration in the Persian lyric [PDF]

open access: yesMatn/Pizhūhī-i Adabī, 2007
The poetry is considered not only the means of expressing imagination and personal feelings but also has the capacity of undertaking diversified functions. One of these functions is the narration of the story.
maryam heydari
doaj   +1 more source

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