Results 31 to 40 of about 1,357 (174)
The Lyrical Works of Lydia Khaindrova: Motif Specificity and Artistic Genealogy
The article deals with the lyrical works of Lydia Khaindrova, a poetess whose poetic activity was in full swing in the first half of the twentieth century in Harbin and Shanghai.
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Liking Without Endorsing: Consumer Dilemmas in Responses to AI‐Generated Music
ABSTRACT Despite a growing literature documenting consumer aversion to AI‐generated creative output, AI‐generated music has achieved notable success in the marketplace, with some songs achieving chart placements and attracting millions of streams.
Andrew B. Edelblum, Joshua Poe
wiley +1 more source
ABSTRACT This article links the connection between music and leadership, exploring ways to connect musical icons to teaching leadership theory and concepts. The authors utilize the relationship leadership model (RLM) and the leadership identity development (LID) model through case studies of Beyoncé Knowles‐Carter and Taylor Swift. We provide questions
Sanithia Tucker, Kaley Vincent
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Problems of the analysis of Chaucer's poems
Chaucer appears a great and highly original English national poet already in his five poems written before "The Canterbury Tales". He is still dependent on the mediaeval literary conventions: "The Book of the Duchess", "The Parliament of Fowls", "The ...
Irena Varnaitė
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“Transcendental Homelessness” in Western Modernist Sonnets
The article deals with the fundamental existential topos of modernist poetry – “transcendental homelessness” (“transzendentale Obdachlosigkeit” is a term coined by G. Lukács).
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GENRES OF DEVON "KHAZOYIN UL-MAONI" BY ALISHER NAVOI
This article analyzes a collection of lyrical works by Alisher Navoi. The genres of poetry related to the motto "Khazoyin ul-maoni" are defined. The themes and poetics of genres are highlighted. Poems are classified by structure and content. The artistic
Qanet Qamaruddin Haji Sakhidad
core
ABSTRACT Hip‐hop music and culture have existed for decades in the United States. Since the 1970s, five critical elements have been defined as parts of hip‐hop culture: the MC (oral), the DJ (aural), graffiti (visual), knowledge (mental), and breakdancing (physical).
Jesse R. Ford +2 more
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Haunting the Historiography of Slaves in South Asia from the nineteenth century to the present
ABSTRACT Using both English and Urdu‐language records, this article traces the career of a few African and Afro‐Asian women slaves in the household‐state of Awadh during the first half of the nineteenth century. Focusing on the same records, this article compares a master‐poet's recognition of the motherhood of the African and Afro‐Asian slaves to the ...
Indrani Chatterjee
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CONTEMPORARY OPERA THEATER: BETWEEN TRADITION AND INNOVATION [PDF]
The development of technologies, media, the radical changes produced in the mentality of people and the way of perception of reality in the contemporary times, the new trends in the field of music, the modern pop-rock genres, etc have deeply marked the ...
BUSUIOC, TATIANA
doaj
The Ties That Rhyme: Duality in Symbolic and Structural Networks of Grime Music
ABSTRACT Do birds of a feather really sing together? Musicians face two competing pressures in the pursuit of success: conforming to genre norms to meet audience expectations and distinguishing themselves to attract the attention of listeners. These opposing logics may shape how artists choose their collaborators.
Tom R. Leppard, Andrew P. Davis
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