Results 71 to 80 of about 1,357 (174)

Les Ilenti ou maudire son prochain en turc

Revue des Mondes Musulmans et de la Méditerranée, 2004
The present day turkish has an important amount of formulas to curse or to damn someone. This genre, called ilenç/ilenti exists in that form from the very beginning of the turkish runic inscriptions of Central Asia.
Altan Gokalp
doaj   +1 more source

‘Mr. Preacherman, Should We Love Thy Neighbour?’: On Moral Understanding and Moral Change in Deep Moral Disagreements

Philosophical Investigations, Volume 49, Issue 3, Page 279-289, July 2026.
ABSTRACT This article examines what it means to respond, or fail to respond, to the individual realities of others in cases of deep moral disagreement concerning trans‐exclusionary sentiments. Building on a limitation we identify in Daniele Moyal‐Sharrock and Constantine Sandis' account of ‘bedrock gender’, we consider two readings of Kendrick Lamar's ...
Ryan Manhire, Salla Aldrin Salskov
wiley   +1 more source

The singing of the Hellenes: poetry and performance

Classica, Revista Brasileira de Estudos Clássicos, 2012
This study presents a brief reflection on the genesis of literary genres in Ancient Greece. It is intended here, in the first place, take us off this "comfort zone" when we talk about "Greek literature" in antiquity, at least from the period of Homer ...
Fernando Brandão dos Santos
doaj   +1 more source

POETOLOGY IN ESSAY BOOKS OF A. SKIDAN AND M. STEPANOVA

Филологический класс, 2019
The beginning of the 21st century is associated with the feeling of exhaustion of different ways inherited from the tradition of imagining the range of meanings associated with poetry as a special phenomenon of culture.
doaj   +1 more source

L’Opéra-Comique, 1945-1970 : de nouveaux opéras et leurs livrets ou de l’audace exogène

Revue LISA, 2014
Between 1945 and 1970, the beacon of opera in France, the Paris Opera House, a.k.a. Palais Garnier, had become a bastion of musical conservatism. Meanwhile, the Opéra-Comique, the “other” Paris opera house, a.k.a.
Frank Langlois
doaj   +1 more source

TRANSLATION BY K. ABASHIDZE OF THE WORK OF FRENCH CRITIC F. BRUNETIERE “EVOLUTION OF LYRICAL POETRY IN FRANCE IN THE XIX CENTURY”

, 2021
In 1919, the translation by K. Abashidze of the work of French Critic F. Brunetiere “Evolution of lyrical poetry in France in the XIX century” was published. In the introduction of the work K.
ვარდოშვილი, ეკა
core  

Reimagining Kosovar Folklore: Enrichment of Traditional Songs and their lyrical context through contemporary orchestration and composition techniques/tools”

, 2023
This article explores the revitalization and re-conceptualization of Kosovar musical folklore through contemporary orchestration and the enrichment of traditional songs.
Jupolii, Liburn
core   +1 more source

Form and Content, Again. Four Remarks on Lyric Theory

, 2017
The following statement suggests reconsidering recent debates on a theory of lyric in terms of form and content. Four aspects and issues of the ongoing debate are discussed.
Fabian Lampart
core   +2 more sources

Конвергенция культур как проблема поэтики: Вяч. Иванов. стихотворный цикл “Rosarium” [PDF]

, 2016
Titolo in russo, tradotto: The Convergence of Cultures as a Problem for Poetics: Viacheslav Ivanov’s Poetic Cycle "Rosarium"The article proposes the thesis of the convergence of different cultural traditions both in the juxtaposition of the lyrical ...
Magomedova, Dina
core   +1 more source

Genesis of the medieval British drama [PDF]

Baština, 2013
The paper presents in detail all the elements, conventions, authors and works of the Medieval British drama and thus clarifies the foundations on which the Renaissance drama rose to its artistic climax.
Andrejević Ana M.
doaj