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El arte de la resistencia: musica, literatura y tradicion oral en la region andina desde el período pre moderno hasta el siglo XVII

2009
This dissertation addresses the construction of Andean subjectivity through the use of musical depictions in 16th and 17th century texts in which European chroniclers characterize the natives based on aspects of sonority, on rudimentary instruments or on musical practices that they considered as paganistic.
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