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2009
This dissertation addresses the construction of Andean subjectivity through the use of musical depictions in 16th and 17th century texts in which European chroniclers characterize the natives based on aspects of sonority, on rudimentary instruments or on musical practices that they considered as paganistic.
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This dissertation addresses the construction of Andean subjectivity through the use of musical depictions in 16th and 17th century texts in which European chroniclers characterize the natives based on aspects of sonority, on rudimentary instruments or on musical practices that they considered as paganistic.
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Reflexiones sobre el contenido de la música
1938Facultad de Humanidades y Ciencias de la ...
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