Results 11 to 20 of about 313,562 (184)
‘A Musical Bouquet for the Ladies’: Gendered Markets for Printed Music in Eighteenth‐Century England
Journal for Eighteenth-Century Studies, Volume 46, Issue 4, Page 499-519, December 2023., 2023 Abstract This article explores how music publishers recruited the gendered expectations of musical practice to market their scores to male and female audiences. It shows how the graphic and textual elements of title pages and prefaces were used as promotional material and reveals how publishers encoded gendered representations of music making into ...
Dominic James Ruggier Bridge
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The Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 193-205, September 2023., 2023 Abstract The authors discuss their methodologies for creating and relistening to recordings in collaboration with Indigenous People in Peru and Venezuela and contextualize them within the discourse about overcoming power structures that shape divides between the Global North and South, in both urban and rural trajectories, and in Western and Indigenous
Matthias Lewy, Bernd Brabec
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The Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 206-218, September 2023., 2023 Abstract “Shared soundscapes” is a key concept that allows us to identify the multiplicity of agencies involved in historical sound recordings and their reactivation today. We use the notion to compare two very different Peruvian case studies concerning Asháninka and Nomatsiguenga peoples of the Central Rainforest and Muchik, Quechua, and mestizo ...
Rocío Barreto +3 more
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Ethnography in‐sight: Amasonic politics1
The Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 180-184, September 2023., 2023 Abstract The photo captured in 2018 during a one‐week stopover on a trip between two Central Rainforest regions of Peru is the point of departure for a reflection on the use of sound by Asháninka, Nomatsiguenga, and other rainforest peoples for “Amasonic” politics.
Ingrid Kummels
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Voicing the Queer Self: Listening to Portraits with Vernon Lee
Art History, Volume 46, Issue 3, Page 428-457, June 2023., 2023 Originating in a critical examination of Vernon Lee's perceived ugliness and her excessive talking among her acquaintances, this essay situates historically a series of portraits in which she features as a sitter, subject of comment and commentator, to suggest that the interweaving of voices and faces can be useful to resist the elision of seeing and ...
Francesco Ventrella
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‘I was Born in One City, but Raised in Another’: Aretino's Perugian Apprenticeship
Renaissance Studies, Volume 37, Issue 2, Page 166-191, April 2023., 2023 Abstract According to his apocrypha, Aretino was forced to flee his hometown of Arezzo after penning some anti‐papal verses. Similarly, it is claimed that he fled Perugia ten years later after painting a lute into the hands of a depiction of the Maddalena, which stood in one of the town's piazze.
William T. Rossiter
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Taking fundamental rights seriously in the Digital Services Act's platform liability regime
European Law Journal, Volume 29, Issue 1-2, Page 31-77, January-March 2023., 2023 Abstract This article highlights how the EU fundamental rights framework should inform the liability regime of platforms foreseen in secondary EU law, in particular with regard to the reform of the E‐commerce directive by the Digital Services Act. In order to identify all possible tensions between the liability regime of platforms on the one hand, and ...
Giancarlo Frosio, Christophe Geiger
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An Edition of Ambrosio Nieto’s Paradise Lost: A Drama in Four Acts (c. 1920–50)
, 2023 Milton Quarterly, Volume 57, Issue 3, Page 59-88, October 2023.
Angelica Duran
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Do jornalismo ao livro: itinerários da historiografia da música popular no Brasil (anos 1960/70) [PDF]
HistóriaResumo Nas décadas de 1960-70, um grupo de jornalistas e críticos da música popular deu início a um interessante processo de transição dos relatos e escritos na imprensa para a elaboração de livros.
José Geraldo Vinci de Moraes
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Orfeu, 2020 La historiografía musical afirmativa, conformada básicamente por la musicología y el folklore, han producido como inexistente la dimensión histórica de la música popular, mediante la propia aplicación de una epistemología objetual/personalista basada en ...
Martín Eckmeyer
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