Results 11 to 20 of about 1,391 (122)
In 1894, the Museum of Classical Archeology of the Academy of Sciences was liquidated, and all its collections were transferred to the Hermitage. Documents revealed in the Russian State Historical Archives indicate that the Cabinet of Fine Arts of the ...
Victoria V. Onoshchenko +1 more
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THE GOSPEL OF JOHN IN MARINA TSVETAEVA’S POEM “V PUSTYNNOY KHRAMINE...” [PDF]
The article is devoted to the analysis of M. I. Tsvetaeva’s poem “V pustynnoy khramine...” (1922). The rejection of Mark Slonim’s opinion about the lack of religiousness in M. Tsvetaeva’s poems became a starting point for the analysis.
Elena A. Zavershinskaya
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VERBALIZATION OF THE CONCEPT FRENCH NOBLEMAN IN M. I. TSVETAEVA’S DRAMATIC WORKS [PDF]
The article describes the results of the conceptual analysis of the texts from M. I. Tsvetaeva’s plays “Fortune” (1919) and “An Adventure” (1919). The methods of objectification of the concept FRENCH NOBLEMAN in these dramatic works of the poet are analysed.
Elena Viktorovna Volkova +1 more
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Intriduction. The course and outcome of COVID-19 infection in patients with liver and gastrointestinal tract diseases remain poorly understood. The article presents a multicenter non-interventional observational program conducted by the Russian Society ...
I. N. Tikhonov +9 more
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PHYTONYMIC IMAGES IN M. I. TSVETAEVA’S POETICAL WORLDVIEW
Phytonymic vocabulary is an important research area in the context of linguoculturological interpretation of M. I. Tsvetaeva’s poetry because it represents the artistic images typical of the author’s original worldview. The article examines folkloric and mythological symbolism transferred by phytonymic images in relation to M. I.
Kristina Olegovna Papoyan +1 more
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SEMANTIC FIELD “INSOMNIA” IN M. I. TSVETAEVA’S EARLY LYRICS
The article presents the results of studying the concept “insomnia” in M. I. Tsvetaeva’s early lyrics. To achieve this research objective, the authors analyse the appropriate semantic field. All the lexical units representing the concept “insomnia” in M. I. Tsvetaeva’s early lyrics are classified into thematic groups.
Anna Aleksandrovna Anisova +1 more
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Marina Tsvetaeva Interpreted by Chicca Gagliardo: Expanding the Scope of Russian-Italian Literary Ties [PDF]
The article examines Tsvetaeva’s trace in the book “The Poet of the Air” by Italian writer Chicca Gagliardo. In the 21st century – at the present stage of Russian literary studies – the problem of dialogue between Russian writers and representatives of
Erika Costa
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Conflict between the Line and the Sentence in a Poetic Text
This article considers the relationship and interaction of the main structural units of poetic text: metric (lines) and grammatical (sentences). The line and the sentence (or its significant structural part — syntagma) only ideally correspond to each ...
Boris Justinovich Norman
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Stage Direction Role in M. I. Tsvetaeva’s Romantic Plays: Semantic, Functional and Pragmatic Aspects
© 2015, Canadian Center of Science and Education. All rights reserved. A stage direction as a special kind of paratext gets a special refraction in the plays by Marina Tsvetaeva: it is a kind of the author’s mise en scène direction. The article focuses on semantic, pragmatic and functional analysis of stage directions in the romantic plays “Blizzard” (“
Pupysheva E., Ivygina A.
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Yu. M. Lotman Forever Turned the Idea of the Text
An interview with O. A. Kling is presented, revealing the significance of Yu. M. Lotman’s works for literary criticism of the XX–XXI centuries. Oleg Alekseevich Kling is a Russian literary critic, Doctor of Philology, Professor, Head of the Department of
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