Results 11 to 20 of about 81 (74)
THE GOSPEL OF JOHN IN MARINA TSVETAEVA’S POEM “V PUSTYNNOY KHRAMINE...” [PDF]
Проблемы исторической поэтики, 2017 The article is devoted to the analysis of M. I. Tsvetaeva’s poem “V pustynnoy khramine...” (1922). The rejection of Mark Slonim’s opinion about the lack of religiousness in M. Tsvetaeva’s poems became a starting point for the analysis.
Elena A. Zavershinskaya
doaj +1 more source
Медицинский совет, 2022 Intriduction. The course and outcome of COVID-19 infection in patients with liver and gastrointestinal tract diseases remain poorly understood. The article presents a multicenter non-interventional observational program conducted by the Russian Society ...
I. N. Tikhonov +9 more
doaj +1 more source
VERBALIZATION OF THE CONCEPT FRENCH NOBLEMAN IN M. I. TSVETAEVA’S DRAMATIC WORKS [PDF]
Philology. Theory & Practice, 2019 The article describes the results of the conceptual analysis of the texts from M. I. Tsvetaeva’s plays “Fortune” (1919) and “An Adventure” (1919). The methods of objectification of the concept FRENCH NOBLEMAN in these dramatic works of the poet are analysed.
Elena Viktorovna Volkova +1 more
openaire +1 more source
Conflict between the Line and the Sentence in a Poetic Text
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2020 This article considers the relationship and interaction of the main structural units of poetic text: metric (lines) and grammatical (sentences). The line and the sentence (or its significant structural part — syntagma) only ideally correspond to each ...
Boris Justinovich Norman
doaj +1 more source
PHYTONYMIC IMAGES IN M. I. TSVETAEVA’S POETICAL WORLDVIEW
Philology. Theory & Practice, 2019 Phytonymic vocabulary is an important research area in the context of linguoculturological interpretation of M. I. Tsvetaeva’s poetry because it represents the artistic images typical of the author’s original worldview. The article examines folkloric and mythological symbolism transferred by phytonymic images in relation to M. I.
Kristina Olegovna Papoyan +1 more
openaire +1 more source
SEMANTIC FIELD “INSOMNIA” IN M. I. TSVETAEVA’S EARLY LYRICS
Philology. Theory & Practice, 2019 The article presents the results of studying the concept “insomnia” in M. I. Tsvetaeva’s early lyrics. To achieve this research objective, the authors analyse the appropriate semantic field. All the lexical units representing the concept “insomnia” in M. I. Tsvetaeva’s early lyrics are classified into thematic groups.
Anna Aleksandrovna Anisova +1 more
openaire +1 more source
THE SYMBOLISM OF THE EARTH IN THE POEMS BY M.I. TSVETAEVA
Вестник Волгоградского государственного университета: Серия 2. Языкознание, 2020 The article considers the poems by Marina Tsvetaeva in the aspect of elemental symbolism. The article aims to describe traditional for Russian linguistic culture and individual author’s symbolism of the earth in M.I. Tsvetaeva’s poems.
Marina V. Pimenova +2 more
doaj +1 more source
Polilog: Studia Neofilologiczne, 2015 Silver Age Rope-Dancers The article deals with one of the typologically sustained images and symbols in the Russian poetry of the 19th-20th – the image of a rope-walker or, to be more exact, a ropedancer.
Nina Osipova
doaj +1 more source
Stage Direction Role in M. I. Tsvetaeva’s Romantic Plays: Semantic, Functional and Pragmatic Aspects
Asian Social Science, 2015 © 2015, Canadian Center of Science and Education. All rights reserved. A stage direction as a special kind of paratext gets a special refraction in the plays by Marina Tsvetaeva: it is a kind of the author’s mise en scène direction. The article focuses on semantic, pragmatic and functional analysis of stage directions in the romantic plays “Blizzard” (“
Pupysheva E., Ivygina A.
openaire +4 more sources
Univerzalita a jedinečnost Čtyři výroky o diverzitě // Universality and its singularity: four comments on diversity [PDF]
Svět Literatury, 2018 European civilization is based on the continuous conflict between the awareness of the universally valid laws, on the one hand, and the experience or requirements of the individual, on the other.
Vladimír Svatoň
doaj