Results 11 to 20 of about 42,992,534 (113)
Stage Direction Role in M. I. Tsvetaeva’s Romantic Plays: Semantic, Functional and Pragmatic Aspects [PDF]
Asian Social Science, 2015 © 2015, Canadian Center of Science and Education. All rights reserved. A stage direction as a special kind of paratext gets a special refraction in the plays by Marina Tsvetaeva: it is a kind of the author’s mise en scène direction. The article focuses on semantic, pragmatic and functional analysis of stage directions in the romantic plays “Blizzard” (“
Pupysheva E., Ivygina A.
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Филологический класс, 2018 Nowadays the study of relationships between synonyms and antonyms is relevant in the literary context. This article considers the interaction between antonymy and synonymy based on a delicate semantic play in poetic texts by M. I. Tsvetaeva who is a courageous and talented experimenter over the poetic language.
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A Semiotic Image of A. Pushkin in Mythopoetic Interpretation of M. Tsvetaeva [PDF]
, 2022 В статье рассматривается визуальный образ поэта А. Пушкина в мифопоэтической трактовке М. Цветаевой, представленный в очерке-эссе "Мой Пушкин".The article examines the visual-verbal image of the poet A.
Ермакова, Л. А. +3 more
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THE GOSPEL OF JOHN IN MARINA TSVETAEVA’S POEM “V PUSTYNNOY KHRAMINE...” [PDF]
Проблемы исторической поэтики, 2017 The article is devoted to the analysis of M. I. Tsvetaeva’s poem “V pustynnoy khramine...” (1922). The rejection of Mark Slonim’s opinion about the lack of religiousness in M. Tsvetaeva’s poems became a starting point for the analysis.
Elena A. Zavershinskaya
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Медицинский совет, 2022 Intriduction. The course and outcome of COVID-19 infection in patients with liver and gastrointestinal tract diseases remain poorly understood. The article presents a multicenter non-interventional observational program conducted by the Russian Society ...
I. N. Tikhonov +9 more
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VERBALIZATION OF THE CONCEPT FRENCH NOBLEMAN IN M. I. TSVETAEVA’S DRAMATIC WORKS [PDF]
Philology. Theory & Practice, 2019 The article describes the results of the conceptual analysis of the texts from M. I. Tsvetaeva’s plays “Fortune” (1919) and “An Adventure” (1919). The methods of objectification of the concept FRENCH NOBLEMAN in these dramatic works of the poet are analysed.
Elena Viktorovna Volkova +1 more
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La première réception de l’œuvre de Marina Tsvetaeva en Italie
, 2021 R ́esum ́e : L’article d ́ecrit l’accueil et les traductions italiennes de l’œuvre de Marina Tsvetaeva. On la d ́ecouvre lorsque nous voyons son nom pour la premi`ere fois dans les pages de l’Anthologie des po`etes russes du XXe si`ecle, dirig ́ee par ...
Marco Sabbatini
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Conflict between the Line and the Sentence in a Poetic Text
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2020 This article considers the relationship and interaction of the main structural units of poetic text: metric (lines) and grammatical (sentences). The line and the sentence (or its significant structural part — syntagma) only ideally correspond to each ...
Boris Justinovich Norman
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PHYTONYMIC IMAGES IN M. I. TSVETAEVA’S POETICAL WORLDVIEW
Philology. Theory & Practice, 2019 Phytonymic vocabulary is an important research area in the context of linguoculturological interpretation of M. I. Tsvetaeva’s poetry because it represents the artistic images typical of the author’s original worldview. The article examines folkloric and mythological symbolism transferred by phytonymic images in relation to M. I.
Kristina Olegovna Papoyan +1 more
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SEMANTIC FIELD “INSOMNIA” IN M. I. TSVETAEVA’S EARLY LYRICS
Philology. Theory & Practice, 2019 The article presents the results of studying the concept “insomnia” in M. I. Tsvetaeva’s early lyrics. To achieve this research objective, the authors analyse the appropriate semantic field. All the lexical units representing the concept “insomnia” in M. I. Tsvetaeva’s early lyrics are classified into thematic groups.
Anna Aleksandrovna Anisova +1 more
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