I. A. Pushkareva, V. V. Kozina
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Poem beginning in prose of Marina Tsvetaeva
The following article deals with the influence of verse methods on the prosaic creativity of Marina Tsvetaeva, which formed such poetic picularities as refusal from plot-fable opening, an associative manner of narration, a non-standard way of presenting ...
E G Ivashchenko
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This article presents a comparative analysis of the linguistic mechanisms representing the antagonistic dyad of the emotive concepts “Love” and “Hate” in the poetic discourse of A.A. Akhmatova and M.I. Tsvetaeva.
Yuanze Zhao
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The neuronal density in the rostral pole of substantia nigra pars compacta in Wistar Albino rats from Rijswijk rats: A link to spike-wave seizures. [PDF]
Birioukova LM +4 more
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Nesobrannye Proizvedeniia. By M. I. Tsvetaeva [Cvetaeva], Edited by Günther Wytrzens. Slavische Propyläen, Texte in Neu- und Nachdrucken, vol. 90. Munich: Wilhelm Fink Verlag, 1971. 693 pp. DM 78. - Selected Poems. By Marina Tsvetayeva. Translated by Elaine Feinstein. Foreword by Max Hayward. London, New York, Toronto: Oxford University Press, 1971. xx, 103 pp. $7.50. [PDF]
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Ariane ou l'immortel féminin. Préface
Tsvetaeva, Marina Ivanovna (1892-1941). Auteur / Voutev, Florian.
Bérenger, Caroline
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The Same Solitude Boris Pasternak and Marina Tsvetaeva
"Still, we have the same solitude, the same journeys and searching, and the same favorite turns in the labyrinth of literature and history."-Boris Pasternak to Marina Tsvetaeva One of the most compelling episodes of twentieth-century Russian.Cover -- The
Ciepiela, Catherine.
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The troubling play of gender: Three classical dramas by Tsvetaeva, Yourcenar, and H.D.
Marina Tsvetaeva, Marguerite Yourcenar, and H.D. address the problems of female authority and authorship by reworking the myths of Phaedra, Ariadne, Hippolytus, and Theseus in plays intended for reading rather than performance.
Fox, Maria-Francesca Stadter
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