Results 51 to 60 of about 528 (177)

A Deconstruction of the Mahabharata: When Draupadi Writes Back

Miscelánea: A Journal of English and American Studies, 2018
From a post-colonial and gender perspective I examine R.K. Narayan’s The Mahabharata (1978), Chitra Banerjee Divakaruni’s The Palace of Illusions (2008) and Mahasweta Devi’s “Draupadi” (1997), in order to analyze how they have rewritten the ancient myth
Ana García-Arroyo
doaj   +1 more source

Translation as a ‘Superhuman’ Feat: A Metrical Mahābhārata in Malayalam

Folia Orientalia
Koṭuṅṅallūr Kuññikkuṭṭan Tampurān (1864–1913) completed a verse translation of the Mahābhārata in just 874 days, reproducing the exact metres of the original text.
Rajendran Chettiarthodi
doaj   +1 more source

Discussing Hindu Studies From the Inside Out

Religious Studies Review, Volume 51, Issue 2, Page 373-385, June 2025.
Divya Cherian, Steven E. Lindquist, Sohini Sarah Pillai, Anna Lise Seastrand   +3 more
wiley   +1 more source

Competitiveness in Sacred Learning

Cracow Indological Studies
The current notion of the Vrātyas aggressivity seems to be mainly based on certain Vedic texts that record a biased account of their history. It is usually assumed that relevant passages refer to the aggression displayed by the Vrātyas during verbal ...
Diletta Falqui
doaj   +1 more source

Visual Adaptation Of Wayang Characters In Teguh Santosa’s Comic Art

Mudra: Jurnal Seni Budaya, 2018
Wayang tradition with its Indian epics of Mahabharata and Ramayana adaptations is the Indonesian high culture acknowledged by UNESCO since 2003. Its stories and characterizations has become philosophical, moral ethics and character learning for the ...
Mohammad Isa Pramana Koesoemadinata
doaj   +1 more source

Draupadi’s Disrobing and the Male Gaze: A Feminist Perspective on the Digital Adaptations of the Mahabharata [PDF]

HyperCultura
The epic Mahabharata has been adapted into varied genres—theatre, dance, movie, fiction, and television serial. This paper shall focus on two televised versions—one directed by B. R. Chopra and the other by Siddharth Tewary.
Suchitra Rani MAHATO, Rajiv BHUSHAN, Maninder KAPOOR   +2 more
doaj  

Isteni hősök, hős istenek a „Mahábhárata” névadásában

Névtani Értesítő, 2004
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Hajnalka Szamos
doaj   +1 more source

Schuster/Niccolini: Mahabharata 2.0

Sinais de Cena, 2005
Crítica ao espectáculo de marionetas Mahabharata, de Massimo Schuster e Francesco Niccolini, com encenação, manipulação e interpretação de Massimo Schuster; Festival Internacional de Marionetas do Porto, 2004.
Fernando Matos Oliveira
doaj  

Mahabharata and Veda

, 2020
Mahabharata is to be considered as the soul of Indian civilization. The contents of the great epic reflect the nature of the human relation to the society. It is also observed that, the ideas of Mahabharata purify the dirt of the society by imposing its power against the evil.
openaire   +2 more sources

Speaking the Forbidden: mlecchavāc in Mahābhārata 1.135

Rhesis
In Indian xenology, the term mleccha refers to an individual who does not conform to the social and linguistic norms of the Āryas. Studies have analysed its multiple uses, including its role in toponymy, religious taboos, and ethnicity.
Diletta Falqui
doaj   +1 more source