Results 251 to 260 of about 106,651 (339)

Skill‐Biased Policy Change: Governing the Transition to the Knowledge Economy in Germany, Sweden and Britain

open access: yesRegulation &Governance, EarlyView.
ABSTRACT How have advanced capitalist democracies transitioned from a Fordist to a post‐Fordist, knowledge‐based economy? And why have they followed seemingly similar policy trajectories despite different economic models and sectoral specializations? We develop the notion of skill‐biased policy change to answer these questions. Drawing on a distinction
Sebastian Diessner   +5 more
wiley   +1 more source

Force Control of Main Landing Gear using Magneto-Rheological Damper

open access: yesJournal of the Korean Society for Aeronautical Space Science, 2009
openaire   +2 more sources

The Construction of Compliance with the European Union Deforestation Regulation in Global Coffee Value Chains

open access: yesRegulation &Governance, EarlyView.
ABSTRACT The European Union's Deforestation Regulation (EUDR) obliges the importers and users of seven agricultural commodities to achieve supply chain traceability and prevent deforestation‐linked products from entering the EU market. This paper investigates how companies and producing countries in the coffee sector prepared for EUDR compliance by ...
Janina Grabs
wiley   +1 more source

Survival probabilities of thornback skate (Raja clavata) and spotted skate (Raja montagui) discarded by tickler chain beam trawl, pulse trawl, and flyshoot fisheries. [PDF]

open access: yesPLoS One
Schram E   +10 more
europepmc   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

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