Results 101 to 110 of about 198 (160)
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Opacification of Glazes for Household Majolica
Glass and Ceramics (English Translation of Steklo I Keramika), 2016Acompounded mixture of fritted white, bright, glass ceramic, glaze coating for household majolica in the system Na2O–K2O–CaO–B2O3–Al2O3–ZrO2–SiO2 is developed. The structure of the coating is distinguished by homogeneity and uniformity of the distribution of the crystalline formations over the entire volume of the glaze.
Ivan A. Levitskii
exaly +2 more sources
Indigenous labor and the circulation of majolica in the colonial Andes
Journal of Archaeological Science: Reports, 2023This study examines compositional data from Laser-Ablation Inductively Coupled Plasma Mass Spectrometry (LA-ICP-MS) analysis of eighty-four samples of tin enameled ware (majolica) recovered from Spanish colonial period contexts of two regions (north coast and south-central highlands) in the Peruvian Andes.
Parker VanValkenburgh
exaly +2 more sources
Identification of the majolica polychromatic decoration by IRFC methodology
Journal of Archaeological Science: Reports, 2016Abstract A multi-analytical approach was applied to study majolica fragments coming from the Medieval and Renaissance waste shaft (butto) of the Monks' Palace in Capena (formerly Leprignano) in order to test the efficacy of IRFC reflectography to characterize ceramic glazed decorations.
Costantino Meucci, Loredana Carratoni
exaly +2 more sources
Luminescence properties of lustre decorated majolica
Applied Physics A, 2004Luminescence measurements have been performed on several Italian Renaissance ceramic shards produced in central Italy, as well as on some others from Hispano–Moresque and Fatimid periods. The aim of this study was the characterisation of the raw materials used to manufacture lustre decorated majolica. At first, the thermoluminescence (TL) dating of all
GALLI, ANNA +4 more
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Spectroscopic investigation of yellow majolica glazes
Journal of Raman Spectroscopy, 2003AbstractThe yellow decorations of some ceramic art objects were examined through different spectroscopic techniques and optical and electronic microscopy. The yellow pigment was identified as lead antimonate, the well‐known Naples Yellow. Its use in the course of history seems to be strongly discontinuous, but the diagnostic techniques used to date may
Sakellariou K. +3 more
openaire +3 more sources

