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From practice to theory: manifestos and artistic expression
In this essay, we shall study the aesthetic manifesto as an element frequently used by the Latin American plastic and literary artists during the 1920s and 1940s, and which later influenced the theoretical proposals of the filmmakers who shaped the New ...
Silvana Flores
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Manifesto: January 2004, Volume 8, Issue 3 [PDF]
https://digitalcommons.csumb.edu/manifesto/1007/thumbnail ...
Manifesto:
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Engagements multiples : la rhétorique du GlobalMay Manifesto
GlobalMay Manifesto, spread on the internet in May 2012, is a collaborative document representing the global Occupy movement, one of few wide-spread international manifestos calling for global democratization, following the global social upheavals of ...
Nana Ariel
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O Primeiro Centenário do Manifesto Republicano de 1870
No transcurso do primeiro centenário do Manifesto Republicano de 1870, achamos que a publicação integral do seu texto mais uma vez (1), acrescida de notas e algumas palavras introdutórias, além de comemorar o evento, contribuiria para uma maior divul ...
Reynaldo Carneiro Pessoa
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(Re)Ler o manifesto “A Pedagogy of Multiliteracies: Designing Social Futures” hoje
O manifesto A pedagogy of Multiliteracies: Designing Social Futures completa hoje, em 2021, 25 anos de sua publicação. O manifesto teve grande impacto desde então, sobretudo em solo brasileiro.
Ricardo Tavares Martins
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This is a manifesto for DEMoS, which is a Distributed Embedded Modular System, but also a manifesto addressing the need for more inter-/cross-disciplinary mastery of working knowledge related to installing this class of systems in the real world.
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Why Are We “Artists”? 100 World Art Manifestos brings together one hundred manifestos from all over the world, many of which non-European, and translated into English for the first time.
Viviana Birolli
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Jean-Marc Baud and Camille Bloomfield sent a five-question questionnaire to the members of the BoXoN poets' collective, which grew out of the magazine of the same name, founded by Gilles Cabut in 1997.
Jean-Marc Baud, Camille Bloomfield
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Magnum/Antoine d’Agata Manifeste : débat par catalogues interposés
This article, written in the first-person singular, recounts the debate sparked off in 2017 by the publication of Magnum Manifesto on the occasion of Magnum Photos’ 70th anniversary. Together with Clément Chéroux, we chose the title “Manifesto” to ask an
Clara Bouveresse
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