Results 71 to 80 of about 59,790 (188)
Blood Bats and Manifesto concert flier, d.c. Space, Washington, D.C., August 7, 1989
Flier advertising a concert by the Washington, D.C. bands Blood Bats and Manifesto at d.c. Space in Washington D.C.
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Manifesto and Thee Evolution Revolution concert flier, d.c Space, Washington D.C., January 4, 1989
Flier promoting a concert by the Washington, D.C. punk bands Manifesto (former members of The Faith, Embrace, Rain, S.O.A., and the Untouchables) and Thee Evolution Revolution (future members of Nation of Ulysses and Circus Lupus) at d.c.
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In light of homonormative narratives that privilege the urban as a future place of freedom, A Dirty South Manifesto (2020) by L. H. Stallings represents the manifesto's function of disrupting hegemonic narratives in its reconfiguration of thinking ...
Handl, Laura
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Senator Flux and Manifesto concert flier, d.c. Space, Washington, D.C., March 13, 1989
Flier promoting a concert by the bands Senator Flux and Manifesto at d.c. space in Washington, D.C.
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Analogue 0: Manifesto Now! (Again!)
This is a co-authored introduction to the edited book Manifesto Now! The introduction provides an in-depth discussion of the notion of the contemporary manifesto in the context of existing literature on the 'golden age' of the manifesto - Modernism.
Daddario, W, Cull, LK
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Le manifeste littéraire : un genre ?
This paper uses a discourse analysis perspective to reflect on the genericity of the literary manifesto. Initially, I attempt to clarify the relationship between the manifesto as a hypergenre and the genre of the literary manifesto, which participates in
Dominique Maingueneau
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Manifeste, manifestes : reculons pour mieux sauter
The article looks at the main stages in the critical history of the manifesto, in order to propose a 'method(ological) breakdown' of the boundaries and approaches to its study. Following a summary of the classic definitions and historiographical accounts
Viviana Birolli
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ABSTRACT In this paper, I argue that contemporary psychiatry is confronting a paradigmatic crisis as it collides with posthuman critiques that challenge its foundational assumptions about subjectivity, knowledge, and governance.
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« C’est le Nous qui se manifeste »
The Manifeste du Nous [“The We Manifesto”], written by Mélanie Leblanc in 2021 in the context of the pandemic and of increased social divisions, defends the idea of a profound union between human beings, beyond apparent divisions.
Camille Bloomfield
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