Results 21 to 30 of about 342 (159)
Boletim de Pesquisa NELIC, 2018 Recuperam-se, nesta suíte, dois textos concebidos originalmente como resenhas de livros de Raúl Antelo, Maria con Marcel. Duchamp en los trópicos e Tempos de Babel. Destruição e anacronismo.
Eduardo Sterzi
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Journal of Philanthropy, Volume 30, Issue 2, May 2025.ABSTRACT Artification, the transformation of non‐artistic objects, practices, or domains into art or art‐like entities, has emerged as a pivotal concept in philanthropy and marketing. This paper develops a conceptual and theoretical framework to examine artification, emphasizing its capacity to add cultural, emotional, and symbolic value across diverse
Marta Massi +2 more
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Before and Beyond the Bachelor Machine
Arts, 2018 This paper will examine the importance of Marcel Duchamp’s La Machine Célibataire (The Bachelor Machine) on Art and Technology in the 20th and 21st centuries.
Joseph Nechvatal
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Gender, Work &Organization, Volume 32, Issue 2, Page 544-569, March 2025.Abstract This paper proposes an alternative feminist understanding of maintenance by investigating the artistic practices and lived experiences of feminist artist Mierle Laderman Ukeles (b. 1939). Our main theoretical and empirical focus lies on maintenance, and we show how art and motherhood as productive connection points proffer different ways of ...
Nil Gulari +2 more
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O Inframince: A Potencialidade De Um Campo Relacional
ModaPalavra e-periódico, 2019 A noção de inframince de Marcel Duchamp fornece um vasto campo de pesquisa. É um terreno fértil para proposições sobre uma estética, uma poética e uma política no campo do design e da arte contemporâneas.
Leila Reinert
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Relief: Revue Électronique de Littérature Francaise, 2016 Le Massacre des innocents a été pour Marcel Duchamp l’une de ses sources en composant Le Grand Verre. Ce ‘massacre’ est dans ce cas plus précisément une attraction foraine. D’autre part l’infanticide à Bethlehem constitue un sujet maintes fois représenté
Bastiaan van der Velden
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Marcel Duchamp and Alfred Jarry
Relief: Revue Électronique de Littérature Francaise, 2016 Alfred Jarry (1873-1907) is usually presented as one of Marcel Duchamp’s literary examples. Duchamp however never explicitly named Jarry as such; unlike he did with Jules Laforgue, Raymond Roussel and Jean-Paul Brisset.
Pieter de Nijs
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The Significance of Art Education for the Post‐Anthropocene: Non‐Philosophy in a Newer Key
International Journal of Art &Design Education, Volume 43, Issue 3, Page 478-492, August 2024.Abstract This essay is a plea to art educators in what is a global climate in a permacrisis both politically and physically. This is a deliberate and persuasive provocation to reorientate art education to avoid a reiteration that is taking place when the 20th and 21st centuries are compared in relation to the striking changes that are taking place in ...
jan jagodzinski
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Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggio
Lebenswelt: Aesthetics and Philosophy of Experience, 2019 The Marcel Duchamp absolute gesture is such a gesture that inaugurates an escape movement from any Symbolic Order (another name of this movement is the Deleuzian «becoming-animal»); a gesture that, obviously, Duchamp does not stop play out, because each ...
Felice Cimatti
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Poet as poem: The intermedial staging of A. E. Housman in Tom Stoppard's The Invention of Love
Orbis Litterarum, Volume 79, Issue 4, Page 336-349, August 2024.Abstract Tom Stoppard's The Invention of Love (1997) offers the audience a dream‐like voyage through the post‐mortem reminiscences of the central character, A. E. Housman. The attempt to resurrect Housman, as the historical figure in real life, is suspended by the intertextual incorporation of Housman's poems, the both fictive and enigmatically private
Huayu Yang, Bowen Wang
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