Results 21 to 30 of about 509,750 (192)
A Vitalist Shoal in the Mechanist Tide: Art, Nature, and 17th-Century Science
This paper reconstructs Margaret Cavendish’s theory of the metaphysics of artifacts. It situates her anti-mechanist account of artifactual production and the art-nature distinction against a background of Aristotelian, Scholastic, and mechanist theories.
Jonathan L. Shaheen
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"In Nature's Dress." The Anthropocene, Talking Nature and the Poetry of Margaret Cavendish
This paper examines a selection of poems on nature by Margaret Cavendish, an English poet and natural philosopher active in the mid-seventeenth century.
Alessio Mattana
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Margareth Cavendish Bell in Campo [PDF]
Questo volume presenta la traduzione integrale inedita di Bell in Campo (1662), opera teatrale di Margaret Cavendish. Nella sua introduzione Maria Giulia Sestito ricostruisce il contesto storico e il significato politico dell’opera. Mettendo in scena una
Cavendish, Margaret
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Margaret Cavendish was a philosopher and writer active in mid-seventeenth century England. She is important not just as one of the first women active in philosophy in early modern age but as the expounder of an original scientific theory based on ...
Strazzoni, Andrea
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The Reason of Imagination. The Blazing Worlds of Margaret Cavendish and Siri Hustvedt
One of the peculiarities of 17th and 18th centuries literature is the link between knowledge and imagination, a relationship in which narration sometimes accompanies science, sometimes goes beyond it.
Valeria Cammarata
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Margaret Cavendish on Human Beings [PDF]
Margaret Cavendish is a vitalist, materialist, and monist. She holds that human beings and other natural kinds are parts of the one material entity, “nature.” While human beings may not be superior to other animals in many ways, Cavendish does think that
Lascano, Marcy +3 more
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Individuación en Margaret Cavendish
Para Cavendish la teoría de la individuación consiste en un proceso causal en el que la propia materia infinita constituye los individuos a partir de su propio movimiento.
Claudia Aguilar
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Fantasía y razón en Margaret Cavendish. O acerca del conocimiento de animales, vegetales y minerales
Resumen: Este artículo tiene como objetivo estudiar las nociones de fantasía y razón en dos obras de Margaret Cavendish: Fantasías filosóficas (1653) y Philosophicall Letters (Cartas filosóficas, 1664).
Claudia Aguilar
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La crítica de Margaret Cavendish a la filosofía experimental a la luz de su metafísica
Nos proponemos estudiar las objeciones de Cavendish hacia la filosofía experimental desde una perspectiva no dicotómica para mostrar que, lejos de establecer un enfrentamiento entre la filosofía contemplativa y la experimental, la razón y la sensación ...
Sofia Calvente
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‘I, Me, Myself’: Selfhood and Melancholy in the Journals of Gertrude Savile (1697–1758)
Abstract This article examines the journals of Gertrude Savile from 1727 in light of recent scholarship on early modern and eighteenth‐century melancholy. The concept had myriad associations with medicine, physiology, the imagination, and feeling, but questions remain about how melancholy during this period was considered by those outside the narrow ...
Daniel Beaumont
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