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Este artigo aborda a materialidade adotada nas obras para a exposição Os sentidos da forma – o design como ato poético, evento artístico-cultural da Escola de Belas Artes da Universidade Federal do Rio de Janeiro, no âmbito da disciplina Design, Matéria e Produto, do Programa de Pós-Graduação em Design. A obra literária de Mary Shelley, Frankenstein ou
Anielizabeth Bezerra Cruz +1 more
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Natural Disasters and the Rise of the Modern Prometheus [PDF]
The aim of this paper is to present a specific literary evolution in the context of catastrophes brought by war, revolutions, pandemics, and natural disaster. Discussing works by Daniel Defoe and the Byron–Shelley circle, we will observe how traumatic
Petru Ştefan Ionescu
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The Monstrous Cosmos of Jeanette Winterson’s Frankissstein
In her 2019 novel Frankissstein: A Love Story, Jeanette Winterson weaves an intricate transtemporal and trans-spatial multiplicity, the coding of which is governed by Mary Shelley’s Frankenstein (1818).
Mojca Krevel
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Mary Shelley: il padre come ossessiva relazione
L’obiettivo di questo articolo è analizzare le difficili relazioni paterno-filiali in Frankenstein di Mary Shelley, contestualizzando l’opera nella narrativa dell’Ottocento nel quale si tenta di ridefinire il ruolo della figura del padre nella famiglia ...
Clelia Stefanuto
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Mary Shelley, entrelazamiento de Ilustración y Romanticismo
Frankenstein, la novela de Mary Shelley, es un trabajo primordial dentro de la Historia de las Ideas para encontrar los vínculos entre dos períodos centrales de la Modernidad: la Ilustración y el Romanticismo.
Asunción Herrera Guevara
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"Mont Blanc", a poem written by Percy Shelley, published in 1817 in a travel account entitled History of a Six Weeks’ Tour (written with Mary Shelley) has sparked debate.
Anne Rouhette
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The Shelley-Godwin Archive: The edition of Mary Shelley’s Frankenstein Notebooks
The Shelley-Godwin Archive aims to bring the widely scattered handwritten legacy of the Shelley-Godwin family together on one platform. To date, in October 2014, it is still in the beta phase.
Frederike Neuber
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The Last Man and ‘The First Woman’: Unmanly Images of Unhuman Nature in Mary Shelley’s Ecocriticism
Mary Shelley in her writings relies on the romanticised notions of nature: in addition to its beauties, the sublime quality is highlighted in its overwhelming greatness. In her ecological fiction, The Last Man (1826), the dystopian view of man results in
Antal Éva
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Hubungan antara cerita fiksi ilmiah dan sastra Gothic telah ada selama hampir 200 tahun, dimulai dengan munculnya novel fiksi ilmiah pertama, Frankenstein, karya dari Mary Shelley pada tahun 1818.
Amelia Gustiari
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Introducción al Homenaje a Mary Shelley
La idea de homenajear a Mary Shelley y su pulsión creativa apunta precisamente a mostrar el lado productivo y feminista del monstruo en las letras contemporáneas.
Giovanna Rivero, M. Elizabeth Ginway
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