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Cahiers du féminisme, 1990 Lequenne Michel. Mary Shelley. In: Cahiers du féminisme, n°54, 1990. Dossier : L’extrême droite et les femmes (automne 1990) pp. 40-42.
Lequenne, Michel
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Race, Vitalism, and the Contingency of Contagion in Mary Shelley’s The Last Man
ELH: English literary history, 2022:Plague is a central, albeit strangely indeterminate feature of Mary Shelley’s The Last Man. I argue that this indeterminacy is a crucial insight into the etiological and ethical questions at the novel’s core.
D. Newby
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An Unpublished Mary Shelley Letter
Keats-Shelley Review, 2023 The article contains a transcription of a new letter recently acquired by Keats-Shelley House, Rome. The letter, written partly by Mary Shelley and partly by her son, Percy Florence, is dated 11 February 1843 from Florence and addressed to Julian ...
Valentina Varinelli
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Mary Shelley’s Frankenstein and Genetic Engineering
The Huntington Library Quarterly, 2021:Looking back over the essays in this collection, as well as the two-hundred-plus years since Frankenstein was conceived and published, this postscript asks us to recall that Mary Shelley’s own life experiences, especially childbirth, were sources for ...
A. Mellor
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Paravictorianism: Mary Shelley and Viral Sovereignty
Victorian Studies, 2020:This article revisits the 2006 diplomatic standoff between Indonesia and the World Health Organization over wild-type (or naturally occurring) viral flu samples in the context of the ongoing War on Terror, the COVID-19 pandemic, and a Romance whose ...
A. Kolb
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Mary Shelley's Frankenstein, 2020
You are working for the most prestigious literature publishing house of Europe. In two years time the world will be celebrating the anniversary of the first edition of Frankenstein, and the chairman wants you to prepare a special edition to pay tribute ...
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You are working for the most prestigious literature publishing house of Europe. In two years time the world will be celebrating the anniversary of the first edition of Frankenstein, and the chairman wants you to prepare a special edition to pay tribute ...
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Citation and the No Future of Romanticism in Mary Shelley’s The Last Man
, 2020This paper argues that Mary Shelley’s The Last Man advances a mode of citation that re-writes the past as an always already-extinct anteriority that wastes the present that summons it.
Andrew Sargent
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Mary Shelley: Geology, Statuary, and “The Attacked Escort”
Wordsworth Circle, 2019Mary Shelley’s knowledge of chemistry and electricity when she wrote Frankenstein has generated a sizable literature ever since Mario Praz proposed that she was a scientific ignorama (“All Mrs.
N. Crook
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