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Sustainable materials: a linking bridge between material perception, affordance, and aesthetics
The perception of material properties, which refers to the way in which individuals perceive and interpret materials through their sensory experiences, plays a crucial role in our interaction with the environment. Affordance, on the other hand, refers to
Francesca Strappini +3 more
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Introducing Sensory-material Aesthetics in Textile Design Education
In textile design education, material expressions tend to be directed toward visual-tactile sensory domains. Yet, materials are perceived by all senses, as the body’s experience is mediated through multiple sensory modalities.
Erin Lewis, Vidmina Stasiulyte
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With the development of material synthesis technology, many artificial materials imitating natural materials have emerged in the construction industry. The processing technology of these materials’ surface imitating natural texture is becoming more and ...
Yaqi Zhang, Yao Song, Jing Luo
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Materiality, Race, and Speculative Aesthetics [PDF]
The papers in this forum on Spaces and Politics of Aesthetics share a concern with analyzing relationships between politics and aesthetics in ways that question humanist, anthropocentric logics underpinning dominant aesthetic regimes of power. They do so by foregrounding more-than-human materialities and critical analyses of race and colonial power. In
Julian Brigstocke, Günter Gassner
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Aesthetics and Psychological Effects of Fractal Based Design
Highly prevalent in nature, fractal patterns possess self-similar components that repeat at varying size scales. The perceptual experience of human-made environments can be impacted with inclusion of these natural patterns. Previous work has demonstrated
Kelly E. Robles +11 more
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Perception and sustainable plastics. A digital tool to manage aesthetics and sustainability
Today, designers find expression through project design but also assume an active role in the application of new materials, becoming both researchers and experts in the management of aesthetics and sensoriality.
Barbara Del Curto +3 more
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Excess of matter in form designates the principle that underlies architecture. The surplus of form contains not only a constructive principle, but also an aesthetic principle that enables sensual experience.
Joerg Gleiter
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The Created World as a Creator’s Vestigium in St. Bonaventure’s Aesthetics [PDF]
The conspicuous Franciscan thinker Saint Bonaventure of Bagnoregio develops his personal Aesthetics in his book Itinerarium mentis in Deum (1259). This consists essentially in an ascent of man to God through three successive phases, each of them divided ...
José María Salvador-González
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Aesthetic objects, aesthetic judgments and the crafting of organizational style in creative industries [PDF]
In this article, we conceptually engage with style as central to creative industries. We specifically argue that style is crafted into being via an interplay between aesthetic judgments and “aesthetic objects.” We define aesthetic objects as temporary ...
Bazin, Yoann, Korica, Maja
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Fiduciary Breach, Once Removed [PDF]
This essay argues for the importance of an intersubjective and impure film theory in which the signal and the signaletic is considered as figures for approaching film.
DeMott, Deborah A.
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