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Materialism and Aesthetics: Paul De Man's Aesthetic Ideology

Diacritics, 1997
Dans le cadre d'une reflexion sur la mort des theories annoncant la fin d'un phenomene, telle que la theorie de la deconstruction, l'A. defend la position selon laquelle l'ouvrage inacheve de Paul de Man intitule «Ideologie esthetique» participe a la construction d'une veritable these esthetique fondee sur l'affirmation du formalisme kantien, d'une ...
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Production Aesthetics and Materials

2015
Abstract Enhanced attention has been paid in recent decades to opera production history. As staging and design practices evolved from the use of stock sets at the end of the seventeenth century to more detailed, elaborate, and individualistic production plans for Parisian grand opera and other nineteenth-century repertoire—especially ...
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Hegel’s Aesthetics of Materiality

Revue internationale de philosophie
Je soutiens que dans la troisième partie, ou « Partie particulière » de l’ Esthétique , les diverses réflexions de Hegel sur les dimensions matérielles des différents supports artistiques reviennent à une véritable « esthétique de la matérialité ». Je montre que Hegel se concentre sur le potentiel esthétique distinctif inhérent aux formes matérielles ...
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Material Excess and Aesthetic Transmutation1

Parallax, 2001
(2001). Material Excess and Aesthetic Transmutation1. Parallax: Vol. 7, Economies of Excess, pp. 64-75.
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Towards a New Material Aesthetics

2017
Set in the context of the various materialist approaches to literary aesthetics that emerged in the twentieth century, Renfrew's study presents a new synthesis of the work of the Bakhtin school, Russian Formalism, and elements of the 'official' ideology of the early Soviet period.
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Toward the Materiality of Aesthetic Experience

Diacritics, 2002
Baumgarten's use of the term was not primarily angled at what today might be unproblematically called "artworks"-say, paintings in the European grand master tradition-since his new kind of investigation was to be a "science of sensual recognition," that is, a general inquiry into how we come to know the world from the evidence of our senses. But, as is
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Tactile Aesthetics of Materials and Design

2014
During the user-product interaction process, tactile feeling of materials plays a vital role. This chapter starts from understanding the essence of texture beyond the visual domain, explores the perception dimensions of material textures via the sense of touch, i.e., geometrical dimension, physical-chemical dimension, emotional dimension and ...
Hengfeng Zuo, Tony Hope, Mark Jones
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The Aesthetic Reflexivity of Material Practice

2017
The preceding three Chapters delineate results concerning the main question of this study, how do technological objects articulate novelty? The three articulations of novelty – identity, form, and difference – characterize what novelty is in the becoming of technological objects and capture how an object-character as well as an object’s difference ...
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Aesthetics and Material Beauty: Aesthetics Naturalized

Australasian Journal of Philosophy, 2011
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