Results 41 to 50 of about 9,377,629 (350)

Aesthetics and class interests: Rethinking Kant [PDF]

open access: yes, 2014
This is an Author's Accepted Manuscript of an article published in Third Text, 28(2), 137 - 148, 2014, copyright Taylor & Francis, available online at: http://www.tandfonline.com/10.1080/09528822.2014.890788.Immanuel Kant's philosophy of the aesthetic is
Wayne, M
core   +1 more source

A Parallax View on Eastern Orthodox Aesthetics: From the Ethos of Liturgical Art to Dionysis Savvopoulos’ Aesthetic Eschatology

open access: yesReligions
This study explores Eastern Orthodox aesthetics through a parallax lens, situating it at the intersection of theology, anthropology, and cultural practice to move beyond the icon-centric discourse.
Sotiris Mitralexis
doaj   +1 more source

The Material and the Divine: Entwined Aesthetics in Alice Meynell’s ‘The Two Poets’

open access: yes19, 2023
Alice Meynell’s adherence to a reserved lyrical mode could be read as a desire to maintain a sense of teleological order, in which the ironic timelessness of the lyrical moment reinforces the divine purpose of the material.
Lesa Scholl
doaj   +2 more sources

Sensory Screens, Digitized Desires: Dancing Rasa From Bombay Cinema To Reality TV [PDF]

open access: yes, 2016
Bombay cinema incorporated songs, dances, choreography, staging, and costumes from a variety of traditional forms to mark a modern national identity. The pioneering figure for using dance in films was Uday Shankar in his experimental film Kalpana. Bombay’
Chakravorty, Pallabi
core   +2 more sources

A Sheep in Synthetic Wolf's Clothing: Creating a Hybrid of Natural and Man-Made Materials to Combine Protection and Aesthetics in a Cold Climate. [PDF]

open access: yes, 2013
For thousands of years, humans have experimented with methods of joining materials, not only to create objects for practical use but also to satisfy their desire for decoration and embellishment.
Kitchman, Fiona, Morehead, Sarah
core  

The Use of Newer High Translucency Zirconia in Aesthetic Zone

open access: yesCase Reports in Dentistry, 2014
Loss of anterior tooth causes aesthetic and functional disharmony. Although no restorative material can approach the appearance of intact tooth enamel, glass ceramic, at the increased risk of brittle fracture, can mimic original tooth color better than ...
Zishan Dangra, Mahesh Gandhewar
doaj   +1 more source

Tissue Engineered Human Elastic Cartilage From Primary Auricular Chondrocytes for Ear Reconstruction

open access: yesAdvanced Functional Materials, EarlyView.
Despite over three decades of research, no tissue‐engineered solution for auricular reconstruction in microtia patients has reached clinical translation. The key challenge lies in generating functional elastic cartilage ex vivo. Here, we integrate synergistic cell‐biomaterial strategies to engineer auricular grafts with mechanical and histological ...
Philipp Fisch   +13 more
wiley   +1 more source

Topology‐Optimized Stretchable Piezoelectric Sensors With Tailored Liquid‐Metal Circuits for Anisotropic Stress‐Adaptive Motion Monitoring

open access: yesAdvanced Materials, EarlyView.
Schematic showing the leveraging of topology optimization, the printing of a tailored eutectic gallium‐indium liquid alloy electrode, and porous ceramic engineering to simultaneously enhance mechanical durability, stretchability, and sensing sensitivity to produce a highly deformable and stretchable sensor capable of monitoring complex and anisotropic ...
Hanmin Zeng   +10 more
wiley   +1 more source

The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912–13 [PDF]

open access: yes, 2020
Wittgenstein’s experiments on rhythm, conducted in Charles Myers’s laboratory in Cambridge during the years 1912–13, are his earliest recorded engagement in thinking about music, not just appreciating it, and philosophizing by means of musical thinking ...
Guter, Eran
core   +2 more sources

aesthetics of silence

open access: yesStellenbosch theological journal
This article builds on the growing field of trauma-informed theology by considering survivors’ materially transformative creative output as a mode of non-verbal testimony to experiences that exceed the range of usual human experience.
Alexandra Banks
semanticscholar   +1 more source

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