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Matka: Muteness, metaphor, metonymy
Short Film Studies, 2014 To say that Matka presents us with essential truths about the human condition may sound trite at best. Nonetheless, the film’s very resistance to a reductive reading along these lines suggests the possibility of a specifically ‘metaphoric’ treatment of these truths that eludes articulation into language.
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Canadian Theatre Review, 2004
Copyright Anosh Irani. This script is protected under the copyright laws of Canada and all other countries of the Copyright Union. Changes to the script are forbidden without the written consent of the author. Rights to produce, film, or record in any medium, in any language, by any group, are retained by the author.
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Copyright Anosh Irani. This script is protected under the copyright laws of Canada and all other countries of the Copyright Union. Changes to the script are forbidden without the written consent of the author. Rights to produce, film, or record in any medium, in any language, by any group, are retained by the author.
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Matka, a heterotopia of deviation
Short Film Studies, 2014Described as the epoch of space, the twentieth century saw much of its cultural and film theory immersed in questions related to this phenomenon. Matka, with its careful spatial organization, encourages an interpretation that revisits and contests the familiar opposition between nature and culture through the concept of heterotopia.
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