Results 71 to 80 of about 2,329,385 (308)
The Art Creation in the Traditional Art Area [PDF]
Artikel ini membahas konsep penciptaan suatu karya seni, dalam lingkup seni tradisional. Persoalan yang diangkat mengenai perlunya kita memahami bagaimana sebuah karya seni itu diciptakan dalam konteks tradisi, dan apa bedanya dengan penciptaan karya ...
Nimita, E. (Esthi) +1 more
core
Technology as the God-Command [PDF]
Giorgio Agamben's Creation and Anarchy is comprised of five meditative essays compiled over the last few years and presented as an anthologized collection.
Erkan, Ekin
core +2 more sources
A cerium oxide‐carbon nanohybrid catalyst is synthesized via two distinct routes and is integrated into H‐type cells and gas diffusion layers (GDLs) to enhance electrochemical performance. Structural variations significantly affect performance, with the solvothermal sample exhibiting higher current densities.
Alessia Pollice +9 more
wiley +1 more source
Bill Brandt: Photography and the Printed Page
This cover collaboration explores the photography of Bill Brandt (1904–1983) from the perspective of the physical print, drawing attention to its material qualities and practical functions.
Martina Droth +3 more
doaj +1 more source
SCIRIA Openmind seminar series, tactile perception and the will to figuration in Islamic art and new media art [PDF]
SCIRIA ‘OpenMind’ was a regular seminar series for University of the Arts London staff, MA and PhD students and the public. The seminars were hosted at Camberwell College of Arts and Chelsea College of Art and Design.
Marks, Laura
core
Positive‐Tone Nanolithography of Antimony Trisulfide with Femtosecond Laser Wet‐Etching
A butyldithiocarbamic acid (BDCA) etchant is used to fabricate various micro‐ and nanoscale structures on amorphous antimony trisulfide (a‐Sb2S3) thin film via femtosecond laser etching. Numerical analysis and experimental results elucidate the patterning mechanism on gold (reflective) and quartz (transmissive) substrates.
Abhrodeep Dey +12 more
wiley +1 more source
Cross Media Arts: social arts and collaboration
Social and Collaborative Art refers to a socially engaged artistic practice through the involvement, in the process of its realisation, collaborating directly or indirectly in its production or discussion, of other agents besides the artist(s), namely a community or a specific group of individuals. It is often a transdisciplinary and inclusive practice,
Pinto, Paula Reaes +2 more
openaire +2 more sources
Electroactive Metal–Organic Frameworks for Electrocatalysis
Electrocatalysis is crucial in sustainable energy conversion as it enables efficient chemical transformations. The review discusses how metal–organic frameworks can revolutionize this field by offering tailorable structures and active site tunability, enabling efficient and selective electrocatalytic processes.
Irena Senkovska +7 more
wiley +1 more source
The effects of multi-sensory public seating on emotion regulation in youth communities
As urban housing pressures intensify, co-living communities are emerging as a new residential model for young adults. However, the high prevalence of depression and anxiety among this population highlights the potential value of incorporating emotional ...
Qiqi Huang, Zhang Zhang, Zihan Chen
doaj +1 more source
Animals Make Music: A Look at Non-Human Musical Expression
The use of musical instruments and interfaces that involve animals in the interaction process is an emerging, yet not widespread practice. The projects that have been implemented in this unusual field are raising questions concerning ethical principles ...
Reinhard Gupfinger, Martin Kaltenbrunner
doaj +1 more source

