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Oxford Scholarship Online, 2018
The most famous and influential classical ‘novel’ is Xenophon’s Cyropaedia, focusing on the hybrid (half-Persian, half-Mede) king. The interpretative issues raised by the Cyropaedia (is it praise or critique?) can be better understood if we consider its subject as semiotically hybrid, balancing the manly, regal mode of Persia against the decadent mode ...
Tim Whitmarsh
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The most famous and influential classical ‘novel’ is Xenophon’s Cyropaedia, focusing on the hybrid (half-Persian, half-Mede) king. The interpretative issues raised by the Cyropaedia (is it praise or critique?) can be better understood if we consider its subject as semiotically hybrid, balancing the manly, regal mode of Persia against the decadent mode ...
Tim Whitmarsh
openaire +2 more sources
2021
This thoroughly revised and updated third edition provides a comprehensive introduction to the various approaches to the field, explaining why media messages matter, how media businesses prosper and why media is integral to defining contemporary life ...
Paul Long +6 more
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This thoroughly revised and updated third edition provides a comprehensive introduction to the various approaches to the field, explaining why media messages matter, how media businesses prosper and why media is integral to defining contemporary life ...
Paul Long +6 more
openaire +2 more sources
Bilchiinsi philosophy: decolonizing methodologies in media studies
Review of Communication, 2022Despite recent calls for decolonization in academia as a whole and the fields of communication studies and media studies in particular—with a focus on narratives such as #CommunicationSoWhite and #RhetoricSoWhite—there remains a lacuna of research on the
W. F. Mohammed
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Studying Media “from” the South: African Media Studies and Global Perspectives
Black Camera, 2016By taking the 2014 Johannesburg edition of DISCOP, the largest film and television content market in Africa, as its ethnographic starting point, this essay critically discusses the position of Africa in contemporary film and media studies. It argues that, if the marginal position to which studies of African media have historically been relegated within
Alessandro Jedlowski
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