Results 81 to 90 of about 517 (171)
Seljuk Motifs in the Muslim Lapidary Tradition of the Golden Horde Crime
This study aims to identify and analyze elements of artistic and calligraphic design in epigraphic monuments of the Golden Horde Crimea that reflect the influence of Seljuk lapidary traditions from Asia Minor and Persia.
Useinov M.A.
doaj +1 more source
The volume 'Materials for the Study of Late Antique and Medieval Greek and Latin Inscriptions in Istanbul' is a revised and updated edition of the booklet originally produced for the Summer Programme in Byzantine Epigraphy.
Rhoby, Andreas, Toth, Ida
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On the utility of Colour in shape analysis: An introduction to Colour science via palaeographical case studies. [PDF]
Atanasiu V, Fornaro P.
europepmc +1 more source
Christianity at the Frontiers. The Case of Rometta (Sicily)
During late antiquity, Christianity changed and expanded the boundaries and perspectives of the sacred. This is evident in the sacralization of borders through suburban sanctuaries, for example, and the use of the term limina in funerary epigraphy.
Daniela Patti
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VIII INTERNATIONAL GOLDEN HORDE FORUM, BOLGHAR–KAZAN, JUNE 9–11, 2025
The VIII International Golden Horde Forum “Pax Tatarica: Medieval Sources and Historical Context” emerged as a landmark academic event in 2025, bringing together 151 researchers from 16 countries.
Giniyatullina L.S.
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Defining Late Antiquity through Epigraphy?
In the last pages of his remarkable Hellenica IV (Paris 1950, pp. 108-110), dedicated to verse dedications to late antique governors and imperial officials, Louis Robert proposed to define le ‘Bas-Empire’ in the eastern part of the Mediterranean as the ...
Tantillo, Ignazio, Tantillo Ignazio
core
Written to be (un)read, written to be seen: beyond Latin codes in Latin epigraphy [PDF]
Duce Pastor, Elena +2 more
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L’interaction mutuelle entre le texte et l’image dans la peinture roumaine du XVIe siècle : une approche sémiologique [PDF]
Cet article porte sur le rapport entre le texte et l’image dans la peinture roumaine du XVIe siècle. L’auteur souligne que l’icône ou la peinture murale orthodoxe ne sont pas des «compositions» dans le sens traditionnel du verbe « composer ». Le peintre
Constantin I. Ciobanu
doaj
Epigraphy and the city in medieval Spain: inscriptions of royal and aristocratic origins
El presente artículo estudia la producción epigráfica medieval expuesta en las ciudades, producida por la realeza o por la nobleza, partiendo de la consideración global del epígrafe como un medio de comunicación publicitaria.
Santiago Fernández, Francisco Javier
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