Results 41 to 50 of about 18,288 (238)
THE RIGHT STUFF: From Western to melodrama and comedy
THE RIGHT STUFF (1983), directed by Philip Kaufman, has explored which genre conventions were appropriate for space travel. The film first uses the Hollywood Western, as has been acknowledged by several authors.
Wim Staat
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ABSTRACT ‘Middle Australia’ became a ubiquitous term of social categorisation and political positioning during the latter decades of the 20th century. This article examines how this concept was variously used in the metropolitan print media in the guises of the Sydney Morning Herald and The Age of Melbourne, including in their reporting of federal and ...
Chris Beer
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Melodrama, gênero dramatúrgico e linguagem televisiva: uma análise à luz de Bakhtin
Ainda que as análises do melodrama sejam variadas, controversas e até mesmo incompatíveis, dois aspectos geram unanimidade: a durabilidade do gênero e sua maleabilidade. São essas características, aliadas à combinação de sentimentalismo e prazer visual,
Clara Fernandes Meirelles
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The Many Lives of Teresa Mendoza: Genre, Gender and Melodrama in La Reina del Sur
This study considers how reality, fiction, and melodrama intersect so that Teresa Mendoza, protagonist of Arturo Perez-Reverte’s novel, La Reina del Sur, escapes into everyday reality and is imagined into existence.
M. Ruiz
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Negociación y ruptura en Tres días con la familia: la nueva generación del melodrama familiar
A lo largo de la historia del cine, la familia ha funcionado como la base narrativa del material melodramático. En ‘Tres días con la familia’, Mar Coll pone en cuestión los códigos cinematográficos del melodrama con respecto a la feminidad, la ...
Beatriz Herrero Jiménez +1 more
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Generative AI and the Future of Musical Diversity
Abstract I argue that the current proliferation of generative artificial intelligence (AI) represents a new stage in a longer historical process of distancing humans from their unique individual psyches and of reducing participation and cultural diversity in music. The argument consists of six parts: (1) reiterating the uniqueness of individual psyches,
Dor Shilton
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On ‘Not Being Nothing’: Post-ironic Melodrama in James Gray’s “The Immigrant”
This essay analyzes James Gray’s The Immigrant (2013) discussing it as an instance of post-ironic melodrama (Włodek 2017) aimed at recovering the purity shown by this genre in the early phases of cinematic history.
Simone Francescato
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Faith, gender and financial investment: Providence and Presbyterianism in Scotland and abroad
Abstract Mid‐nineteenth century fictional representations of misdirected investment by widows and clergy position them as ignorant in financial matters and hence pitiable. While scholars have recognised female agency in nineteenth century commerce, insufficient attention has been paid to religious belief in financial decision‐making.
Jennifer Jones, Susan Poole
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IN PURSUIT OF THE HOFFMANNESQUE
ABSTRACT This article seeks to elucidate the term ‘Hoffmannesque’ — the eponymous adjective that refers to E. T. A. Hoffmann — through recourse to Hoffmann's own use of ‘esque’ words: arabesque, grotesque, burlesque, picturesque. By investigating the characteristics of ‘esque’ formulations and tracing their recurrence through Hoffmann's texts, I argue ...
Polly Dickson
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‘These reforms have teeth’: The affective dimensions of teacher education policy enactment
Abstract The affective dimensions of education policy enactment have often received less attention in the research literature, especially regarding teacher education policy. This article reports on a study of the affective responses of university‐based teacher educators in England to the significant initial teacher education reforms of 2019–2022: the ...
Ian Cushing, Viv Ellis
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