Results 41 to 50 of about 61,271 (222)

IN PURSUIT OF THE HOFFMANNESQUE

open access: yesGerman Life and Letters, EarlyView.
ABSTRACT This article seeks to elucidate the term ‘Hoffmannesque’ — the eponymous adjective that refers to E. T. A. Hoffmann — through recourse to Hoffmann's own use of ‘esque’ words: arabesque, grotesque, burlesque, picturesque. By investigating the characteristics of ‘esque’ formulations and tracing their recurrence through Hoffmann's texts, I argue ...
Polly Dickson
wiley   +1 more source

On ‘Not Being Nothing’: Post-ironic Melodrama in James Gray’s “The Immigrant”

open access: yesIperstoria, 2021
This essay analyzes James Gray’s The Immigrant (2013) discussing it as an instance of post-ironic melodrama (Włodek 2017) aimed at recovering the purity shown by this genre in the early phases of cinematic history.
Simone Francescato
doaj   +1 more source

[Review of] Charles Green and Basil Wilson. The Struggle for Black Empowerment in New York City [PDF]

open access: yes, 1991
This book by Charles Green and Basil Wilson is most informative. The authors, a sociologist and a political scientist respectively, draw upon the research and reporting methods of their disciplines in bringing forth a comprehensive interdisciplinary ...
Scott, Otis L.
core   +1 more source

Generative AI and the Future of Musical Diversity

open access: yesTopics in Cognitive Science, EarlyView.
Abstract I argue that the current proliferation of generative artificial intelligence (AI) represents a new stage in a longer historical process of distancing humans from their unique individual psyches and of reducing participation and cultural diversity in music. The argument consists of six parts: (1) reiterating the uniqueness of individual psyches,
Dor Shilton
wiley   +1 more source

Melodrama, gênero dramatúrgico e linguagem televisiva: uma análise à luz de Bakhtin

open access: yesRevista Eco-Pós, 2009
Ainda que as análises do melodrama sejam variadas, controversas e até mesmo incompatíveis, dois aspectos geram unanimidade: a durabilidade do gênero e sua maleabilidade. São essas características, aliadas à combinação de sentimentalismo e prazer visual,
Clara Fernandes Meirelles
doaj   +1 more source

Yeşilçam Film Posters of the 60s and 70s: Representing Romance [PDF]

open access: yes, 2009
Cinema and movie poster have the most powerful potential of establishing the ethos and mythology of people, and both assume an audience on the premises of a cultural context within which they are produced.
Noyan, Nazli Eda
core  

The Life of Events: Exception and Everyday Life in Acapulco, Mexico

open access: yesTransactions of the Institute of British Geographers, EarlyView.
ABSTRACT The paper focuses on the event of ‘Ingrid‐and‐Manuel’—a Hurricane and Tropical Storm that hit Acapulco, Mexico in 2013. It traces what this event was and how it remains for people in and beyond Acapulco. It does so in the context of a place where the lines between events and everyday life are often blurred, and yet the event was still named ...
Hector Becerril   +2 more
wiley   +1 more source

Creative Nonfiction: The Christian Dior woman

open access: yesAnthropology and Humanism, Volume 51, Issue 1, June 2026.
Abstract This work of creative nonfiction emerges from ethnographic research on Arab women's testimonies of their cancer experience conducted in 2016–2018. It focuses on the account of one Lebanese woman diagnosed with breast cancer and highlights her feelings, thoughts, and perceptions from the time of the initial medical examination through to final ...
Abir Hamdar
wiley   +1 more source

What Does Ethical Imagery Look Like? An Experimental Examination of Potential Donor Perceptions of Nonprofit Marketing Imagery

open access: yesInternational Journal of Consumer Studies, Volume 50, Issue 3, May 2026.
ABSTRACT Nonprofit humanitarian imagery has long sparked ethical concerns, yet these critiques often overlook how such images are received by potential donors—even though donor support is essential to nonprofit success. Most work seeking to understand ethical imagery has been largely conceptual or focused on single image attributes.
Aimee E. Smith   +5 more
wiley   +1 more source

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