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Caravaggio’s Melodramatic Male Bodies
2015Standing in Rome’s Galleria Borghese between the withered St. Anne of the Madonna dei Palafrenieri and the languid Boy with a Basket of Fruit, my colleague Sharon and I annually restage for our students the same argument: “Don’t tell me this guy wasn’t gay,” she insists. “All the men are attractive; all the women look like hags or virgins.”1 My riposte,
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