Results 231 to 240 of about 231,756 (284)
Some of the next articles are maybe not open access.
ACM Transactions on Accessible Computing, 2021
Despite the promise of the maker movement as empowering individuals and democratizing design, people with disabilities still face many barriers to participation. Recent work has highlighted the inaccessible nature of making and introduced more accessible maker technologies, practices, and workspaces. One less explored area of accessible making involves
Katya Borgos-Rodriguez +2 more
openaire +1 more source
Despite the promise of the maker movement as empowering individuals and democratizing design, people with disabilities still face many barriers to participation. Recent work has highlighted the inaccessible nature of making and introduced more accessible maker technologies, practices, and workspaces. One less explored area of accessible making involves
Katya Borgos-Rodriguez +2 more
openaire +1 more source
2019
Background/introduction: Why is MELODI interested in low doses? In the EU, radiation protection is mostly based on ICRP 103 recommendations, implemented through the Basic Safety Standards Directive (2013/59/Euratom) and ensuing national legislation.
openaire +1 more source
Background/introduction: Why is MELODI interested in low doses? In the EU, radiation protection is mostly based on ICRP 103 recommendations, implemented through the Basic Safety Standards Directive (2013/59/Euratom) and ensuing national legislation.
openaire +1 more source
Africana Linguistica, 2014
Cet article offre une vue d’ensemble des mélodies tonales verbales du luyia, groupe de langues bantu parlées au Kenya et en Ouganda. La tonologie luyia est diversifiée, et présente trois types de systèmes tonals verbaux qualifiés respectivement de «conservateur » , «prévisible » , et «réversif » .
Ebarb, Kristopher J. +2 more
openaire +2 more sources
Cet article offre une vue d’ensemble des mélodies tonales verbales du luyia, groupe de langues bantu parlées au Kenya et en Ouganda. La tonologie luyia est diversifiée, et présente trois types de systèmes tonals verbaux qualifiés respectivement de «conservateur » , «prévisible » , et «réversif » .
Ebarb, Kristopher J. +2 more
openaire +2 more sources
Africana Linguistica, 2014
Dans cet article, nous livrons une vue générale des mélodies tonales kuria, remarquables par les positions qu’occupe le H mélodique, en ce compris les troisième et quatrième mores du macrothème verbal. Pour certains locuteurs, les mores du mot qui suit le verbe font partie de la représentation lorsque le H mélodique est assigné au verbe.
Marlo, Michael +2 more
openaire +2 more sources
Dans cet article, nous livrons une vue générale des mélodies tonales kuria, remarquables par les positions qu’occupe le H mélodique, en ce compris les troisième et quatrième mores du macrothème verbal. Pour certains locuteurs, les mores du mot qui suit le verbe font partie de la représentation lorsque le H mélodique est assigné au verbe.
Marlo, Michael +2 more
openaire +2 more sources
Africana Linguistica, 2014
This paper reports on verb tone melodies in Bakweri, which has 6 inflectionally‑governed stem tone patterns. Depending on tense, a verb may have no tones beyond those in the lexicon, or may add L, H, HL, or LH to the stem. These melodic tones are linked to the final vowel, and melody‑initial H spreads leftward to the lexical tone of the root.
Marlo, Michael, Odden, David Arnold
openaire +2 more sources
This paper reports on verb tone melodies in Bakweri, which has 6 inflectionally‑governed stem tone patterns. Depending on tense, a verb may have no tones beyond those in the lexicon, or may add L, H, HL, or LH to the stem. These melodic tones are linked to the final vowel, and melody‑initial H spreads leftward to the lexical tone of the root.
Marlo, Michael, Odden, David Arnold
openaire +2 more sources
Speech Melody and Articulatory Melody
Folia Phoniatrica et Logopaedica, 1974B. Vallancien, B. Gautheron
openaire +1 more source
2018
Like melody in general, rock melody is understood to have a hierarchical “grouping structure,” with sub-phrases combining into phrases and then into larger units. A fundamental issue in rock melody is the alignment of melodic groups with meter; while “beginning-accented” groups are the norm, “end-accented” patterns and more irregular patterns also ...
openaire +1 more source
Like melody in general, rock melody is understood to have a hierarchical “grouping structure,” with sub-phrases combining into phrases and then into larger units. A fundamental issue in rock melody is the alignment of melodic groups with meter; while “beginning-accented” groups are the norm, “end-accented” patterns and more irregular patterns also ...
openaire +1 more source