Results 31 to 40 of about 62,204 (308)
The Book Review of “Form and Creation in Iranian Music” [PDF]
پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی, 2020 The book “Form and Creation in Iranian Music” has been written and edited based on one of the academic courses of Iranian music, and at least because of the lack of references in this field, this book is considered as a reference and rich source.
Ehsan Zabihifar
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Melodic segmentation: structure, cognition, algorithms
Musicologica Brunensia, 2017 Segmentation of melodies into smaller units (phrases, themes, motifs, etc.) is an important process in both music analysis and music cognition. Also, segmentation is a necessary preprocessing step for various tasks in music information retrieval. Several
Zuzana Cenkerová
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Journal of Intelligence, 2023 Previous research suggests that musical ability is associated with language processing and foreign language pronunciation. Whether musical ability is associated with the ability to generate intelligible unfamiliar utterances has not been investigated ...
Markus Christiner +3 more
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A Statistical Analysis of Melody Lengths in a North Indian Raga [PDF]
Studii si Cercetari de Istoria Artei : Teatru, Muzică, Cinematografie, 2012 The length of a melody simply refers to the number of notes in it. Melody lengths also provide interesting data sets that merit statistical attention individually, apart from their role in calculating melody significance.
Soubhik Chakraborty +4 more
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Perception of musical melody and rhythm as influenced by native language experience.
Journal of the Acoustical Society of America, 2020 This study used the Musical Ear Test [Wallentin, Nielsen, Friis-Olivarius, Vuust, and Vuust (2010). Learn. Indiv. Diff. 20, 188-196] to compare musical aptitude of native Japanese and Chinese speakers. Although the two groups had similar overall accuracy,
Linjun Zhang +4 more
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Melodies as Maximally Disordered Systems under Macroscopic Constraints with Musical Meaning
Entropy, 2019 One of the most relevant features of musical pieces is the selection and utilization of musical elements by composers. For connecting the musical properties of a melodic line as a whole with those of its constituent elements, we propose a representation ...
Jorge Useche, Rafael Hurtado
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Recognition of inversions of melodies and melodie contours [PDF]
Perception & Psychophysics, 1971 Inversions of brief melodies are more difficult to recognize than are transposed repetitions of those melodies. Distinguishing between transposed repetitions and repetitions in which only the melodie contour (the pattern of ups and downs) is repeated is very difficult, as is distinguishing between exact inversions and inversions of the melodie contour.
openaire +1 more source
Response to David Temperley's Commentary
Empirical Musicology Review, 2006 The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with ...
William Thomson
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Applied Sciences, 2019 Singing melody extraction essentially involves two tasks: one is detecting the activity of a singing voice in polyphonic music, and the other is estimating the pitch of a singing voice in the detected voiced segments.
Sangeun Kum, Juhan Nam
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Lyrics-Conditioned Neural Melody Generation
Conference on Multimedia Modeling, 2020 Generating melody from lyrics to compose a song has been a very interesting research topic in the area of artificial intelligence and music, which tries to predict generative music relationship between lyrics and melody.
Yi Yu +5 more
semanticscholar +1 more source