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Etudes phénoménologiques - Phenomenological Studies, 2020
The aim of the present thesis is to interpret as best as possible the meaning of the merleau-pontian philosophical term of flesh, which is introduced by Maurice Merleau-Ponty in his later work and which eventually consist the ax of his ontology. However, to understand this ontology of flesh, it is needed to examine firstly his philosophical work in its
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The aim of the present thesis is to interpret as best as possible the meaning of the merleau-pontian philosophical term of flesh, which is introduced by Maurice Merleau-Ponty in his later work and which eventually consist the ax of his ontology. However, to understand this ontology of flesh, it is needed to examine firstly his philosophical work in its
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MERLEAU–PONTY: PERCEPTION INTO ART
The British Journal of Aesthetics, 1982Abstract Involves further development of the ideas from Merleau–Ponty broached in the previous chapter. Merleau–Ponty's account of the relation between perception and art is given a detailed exposition. It is then critically appraised and defended in a broader philosophical context.
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Chiasmi International, 2016
In un appunto per il corso sulla passività Merleau-Ponty ha annotato un inconsueto pensiero sulla natura del sogno come eco. Tra veglia e sonno, ma anche tra sogno e veglia, quest’eco non smetterebbe di strutturare sulla sua riverberazione l’intera nostra vita psichica, costruendo ponti tra dimensioni che la lingua solitamente separa. Il sogno sarebbe
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In un appunto per il corso sulla passività Merleau-Ponty ha annotato un inconsueto pensiero sulla natura del sogno come eco. Tra veglia e sonno, ma anche tra sogno e veglia, quest’eco non smetterebbe di strutturare sulla sua riverberazione l’intera nostra vita psichica, costruendo ponti tra dimensioni che la lingua solitamente separa. Il sogno sarebbe
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2008
Having initially not had the attention of Sartre or Heidegger, Merleau-Pontys work is arguably now more widely influential than either of his two contemporaries. Merleau-Ponty: Key Concepts presents an accessible guide to the core ideas which structure Merleau-Pontys thinking as well as to his influences and the value of his ideas to a wide range of ...
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Having initially not had the attention of Sartre or Heidegger, Merleau-Pontys work is arguably now more widely influential than either of his two contemporaries. Merleau-Ponty: Key Concepts presents an accessible guide to the core ideas which structure Merleau-Pontys thinking as well as to his influences and the value of his ideas to a wide range of ...
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2015Phenomenology as a philosophical method, as a thinking style -the term Merleau-Ponty himself is using to define it, shows up as a solution to the problem of philosophical tradition, which was trapped between idealism and empiricism. Based on the deconstruction of scientifical thought and its painterly referent, that of lineal perspective, we will ...
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2021
Abstract A methodology is a theory of method. In asking for a methodology, one wants to know which method(s) we should use for investigating some topic, and why. Merleau-Ponty is a phenomenologist who is famous for his analyses of perception.
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Abstract A methodology is a theory of method. In asking for a methodology, one wants to know which method(s) we should use for investigating some topic, and why. Merleau-Ponty is a phenomenologist who is famous for his analyses of perception.
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Abstract In his early writings, Maurice Merleau-Ponty offered several criticisms of Henri Bergson’s philosophy. These criticisms, at times based upon mischaracterizations of Bergson’s work, often align with the overall critical stance that Merleau-Ponty’s generation adopted towards Bergson.
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2000
Abstract The work that established Maurice Merleau-Ponty as a major phenomenological philosopher, Phenomenology of Perception, was published in 1945.1 Because of his early death, it remained his main work and is therefore the principal source for my study in this chapter. Upon turning to it after a study of Being and Time, the difference
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Abstract The work that established Maurice Merleau-Ponty as a major phenomenological philosopher, Phenomenology of Perception, was published in 1945.1 Because of his early death, it remained his main work and is therefore the principal source for my study in this chapter. Upon turning to it after a study of Being and Time, the difference
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