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SSRN Electronic Journal, 1991 This paper consists in lecture notes and materials for a postgraduate course on metafiction at the University of Zaragoza (1991). Contents include: 1. Introduction; 2. Reflexivity and Metafiction: Some Related Concepts; 3. The Reflexive Novel; 4. Reflexive Devices in Fiction; 5. Theory of Reflexive Fiction; 6. Metafiction as Thought; 7.
José Angel García Landa
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, 1992 Abstract Although metafiction has been the subject of much critical and theoretical writing, this is the first full-length study of its place in Soviet literature. Focusing on metafictional works by Leonid Leonov, Marietta Shaginyan, Konstantin Vaginov, and Veniamin Kaverin, it examines, within a broadly Bakhtinian theoretical framework,
David Shepherd
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Contemporary Literature, 2004
iN iovelists use language to transmit something of their understanding of the world to their readers. Often the emphasis falls on the world, even to the point of neglecting or concealing the processes of understanding that underlie its presentation.
William Paulson, Joseph Tabbi
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iN iovelists use language to transmit something of their understanding of the world to their readers. Often the emphasis falls on the world, even to the point of neglecting or concealing the processes of understanding that underlie its presentation.
William Paulson, Joseph Tabbi
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Russian Metafiction and Global Realisms [PDF]
Metafiction, also known as self-conscious fiction, is a narrative technique that forces readers to be aware that they are reading a work of fiction.
Vaysman, Margarita
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The rise of metafiction in China
Bulletin of the School of Oriental and African Studies, 1992Though it would be almost impossible to trace who first applied the term ‘Avant-Garde fiction’ (Xianfeng Xiaoshuo ) to a recent trend in Chinese fiction since 1985, it is an appropriate name in many respects. All the previous schools of fiction in modern China—Wound fiction (Shangheng Xiaoshuo ), Reform fiction (Gaige Xiaoshuo ), Re-thinking fiction ...
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