, 1997 Susana ONEGA, Telling histories : narrativizing history, historicizing ...
Martín Alegre, Sara
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Materiality, Metafiction and “The Reality of Fantasy”in Contemporary Picturebooks
Magistra IadertinaAccording to many scholars, picturebooks are artefacts that deserve not only to be read but also cherished. Artists and publishers nowadays experiment more and more with book architecture in order to attract consumers.
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"You Have to Set the Story You Know Aside": Constructions of Youth, Adulthood and Senescence in Cinderella Is Dead. [PDF]
Humanities (Basel), 2022 Anjirbag MA, Joosen V.
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How real is real: attitudes towards realism in selected post-war British fiction [PDF]
, 2013 Despite its apparent precision in meaning, realism as a once-held literary school of thought provokes controversies regarding its basic definition and the works attributed to it.
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Dimensional Taxonomy of Data Visualization: A Proposal From Communication Sciences Tackling Complexity. [PDF]
Front Res Metr Anal, 2021 Cavaller V.
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Image [&] Narrative journal editorship (in 2 issues) - The story of things: reading narrative in the visual [PDF]
, 2011 Based on the conference convened by Carson & Miller to accompany their project The Story of Things, these two journal issues of Image [&] Narrative explore the relationship between narrative and the visual.
Carson, J, Miller, R
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THE KEY TO THE TREASURE IS THE TREASURE: BARTH’S METAFICTION IN CHIMERA [PDF]
Logos et Littera: Interdisciplinary Approaches to Text, 2014 John Barth, one of the most prominent postmodern authors, is famous for his creative literary games: while his favorite tool, metafiction, is at times hard to comprehend, he is almost always both the writer and a character of his stories.
Katarina Drzajic
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The Art and Politics of Rewriting. Margaret Atwood’s Historical Notes on The Handmaid’s Tale [PDF]
Cultural Intertexts, 2019 Among the many frameworks of interpretation that Margaret Atwood’s dystopia (or ustopia, as she calls it) The Handmaid’s Tale allows, a particularly challenging one is its reading in/as palimpsest. Choosing not to favour an attempt at hierarchizing the
Michaela PRAISLER, Oana Celia GHEORGHIU
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All the Disc’s a Stage: Terry Pratchett’s Wyrd Sisters as Metafiction
Colloquy: Text, Theory, Critique, 2019 Terry Pratchett’s Discworld is a post-structuralist landscape where stories are real and magic is a mediating force between reality and representation.
Prema Arasu
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The Romanian Academic Novel and Film through the Postcommunism/Postcolonialism Lens [PDF]
Polish Journal of English Studies, 2019 The last two decades have witnessed an intensified academic interest in a potential rapprochement between Postcolonial Studies and Postcommunist Studies, the former a firmly established discipline in global academia, while the existence of the latter as ...
Corina Selejan
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