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Horizontal metalepsis in narrative fiction
Frontiers of Narrative StudiesAbstract This article presents a paradoxical narrative device that is controversially discussed in narratology. Since the introduction of metalepsis into narratology by Gérard Genette in the “Discours du récit” (1972) – “Tous ces jeux manifestent […] l’importance de la limite qu’ils s’ingénient à franchir au mépris de la vraisemblance ...
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Introduction: Metalepsis as Ethics
2017This chapter proposes to read Coetzee’s self-reflexivity as an ethics of writing. Coetzee deliberately undermines his own authority, and he does this to the effect of handing over to the reader the task of making judgments. Self-reflexivity, especially in the form of metalepsis, is shown to be the opposite of what it is often taken to be, that is, a ...
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Meaning, Metalepsis, Time-Travel
Res PhilosophicaThis article explores how people can come to experience constitutional conversations as meaningful. To this end, I reinterpret Habermas’s account of deliberative constitutionalism. For Habermas, constitutional discourses are not only rational procedures of opinion- and will-formation, but also sites at which a “world” gets generated.
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Narrative Metalepsis in Detective Fiction
2011Detta ar en studie av den narrativa metalepsens forekomst i deckarlitteratur. Studien ar publicerad som ett kapitel i en volym dar man forsoker faststalla en transmedial definition av metalepsen oc ...
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Metonymic indeterminacy and metalepsis
Figurative Thought and Language, 2021Rita Brdar-Szabó, Mario Brdar
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English Christendom: Metonymy and Metalepsis
2011Egypt’s Cleopatra and England’s Kent: both appear in late Elizabethan drama as stage ciphers wherein alien and domestic identities mingle. Encounters between native and foreign representations of imaginary selves did not necessarily produce a singular resolution of native identity defined against a clearly differentiated ‘Other’.
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Mutinous Fiction: Narrative and Illustrative Metalepsis in Three Postmodern Picturebooks
Children's Literature in Education, 2010Sylvia Pantaleo
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