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The Metaphysical Lyric of the Six Dynasties

T'oung Pao, 2012
AbstractIn the third and fourth centuries there flourished in China a literary tradition that integrated abstruse philosophizing into pentasyllabic verse: xuanyan shi or the “metaphysical lyric.” Xuanyan verse was mostly ignored in the great wave of literary critique and classification during the succeeding centuries, and much has been lost, but by ...
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The Metaphysical Lyric in the Light of Transgeneric Narratology

Tekstualia, 2018
This article analyses two sixteenth-century lyrics (referred to as metaphysical) from the collection of John Donne’s Songs and Sonnets – “The triple Foole” and “The Apparition” – by means of methods proposed by transgeneric narratology. The author highlights those aspects of Donne’s poems which reveal the features of the narrative text as well as those
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‘The sacred gang’. The discourse of the ‘metaphysical macho guy culture (<i>patsanstvo</i>)’ in Russian song lyrics

Voprosy literatury, 2021
The article considers one of the methods of identity creation in a song used by lyricists in the early 21st c.: it involves a combination of profane language typical of an urban outcast (patsan, gopnik) and metaphysical, i. e. sacred, themes. Enjoying numerous representations in contemporary Russian visual arts, the discourse of the ‘metaphysical macho
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A Transcendent View of Things: The Persistence of Metaphysics in Modern German Lyric Poetry, 1771–1908

2022
This dissertation explores the lyric poetry of Johann Wolfgang von Goethe, Eduard Mörike, and Rainer Maria Rilke, and it contends that these modern poets retain, albeit uneasily, a view of things as symbols of the transcendent divine. It thus disputes the secularization theory of post-Enlightenment aesthetics.
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Spatial Images in Baratynsky’s Late Lyrics: Aesthetic and Metaphysical Aspects

Transcultural Studies, 2019
The article is devoted to the question of how in the late lyric of the Russian poet of Pushkin’s circle Yevgeny Abramovich Baratynsky (1800–1844), namely in his final book of verses Sumerki [Twilight] (1842), in spatial images metaphysical and aesthetic principles are reflected.
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