Living is Writing: Metaphors of representation in Hanif Kureishi’s The Last Word
Kervan. International Journal of Afro-Asiatic Studies, 2019 Hanif Kureishi’s The Last Word (2014) is a fictional work that depicts the effort of a young journalist from London, Harry, to write the biography of a very famous author of Indian origin, Mamoon, who now lives in the quiet English countryside.
Esterino Adami
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Постать Антуана Володіна в дискурсі французького постмодернізму: «рупор постекзотизму» [PDF]
, 2015 Досліджується феномен сучасного французького письменника Антуана Володіна. Констатується своєрідність художнього методу, що перебуває на межі естетичних систем та втілює ключові тенденції сучасної французької літератури.
Чуб, В. (V. Chub)
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Doyle’s Diogenes Club: a Delightful Oddity Screening a Metatextual Clue
Cahiers victoriens et édouardiens, 2015 In this paper I propose to study Mycroft Holmes's club in the Sherlock Holmes stories: the Diogenes Club is rather close to an oxymoron as the golden rule is that the members are not allowed to speak to one another. I will show how this textual detail, that eminently Doylian delicious paradox, can read as a rather elaborate parody of the ambivalence of
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Mise au Point, 2011 This article examines both the advantages and challenges of the ongoing serial narrative in contemporary American TV series. How did such series manage to spread beyond premium cable TV like HBO and Showtime to mainstream networks like ABC, despite the ...
Monica Michlin
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The complementarity of Plutarch’s Πῶς δεῖ τὸν νέον ποιημάτων ἀκούειν and Περὶ τοῦ ἀκούειν: Two educational ‘sessions’ (re)visited = The Complementarity of Plutarch's Quomodo adolescens poetas audire debeat and De recta ratione audiendi: Two educational ‘sessions’ (re)visited [PDF]
, 2010 No abstract ...
Xenophontos, Sophia
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Processi intertestuali nel “Piacere” [PDF]
Parole Rubate, 2015 D’Annunzio’s first novel, Il piacere (1898), was immediately accused of more or less explicit plagiarism. With critical acumen, D’Annunzio replied that imitation was an active force in the creative process and writing was a ‘transversal operation’, a ...
Raffaella Bertazzoli
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La intrincada fenomenología del metatexto cinematográfico [PDF]
, 2009 El llamado séptimo arte produce ingentes derivaciones metatextuales, textos que se refieren al cine y/o a las películas de muy diversas maneras. Las páginas que siguen pretenden poner cierto orden en ese abigarrado archipiélago discursivo en el que ...
Zumalde Arregi, Imanol
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Masha and Bear(s): A Russian Palimpsest [PDF]
, 2016 When stories are scraped clean and re-written, how much of the original shines through later tales? This paper offers a palimpsest analysis (palímpsestos, “scratched/scraped again”) of the story Masha and the Bear based on a Russian folktale, Tolstoy’s ...
Lyanda-Geller, Olga
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Cultural Re(production) in Maruxa Vilalta’s Pequeña historia de horror (y de amor desenfrenado) [PDF]
, 2014 Through the lens of Gérard Genette’s idea of transtextuality, this study looks at Maruxa Vilalta’s representation of cultural manifestations in order to question how they affect social relations.
Pérez-Linggi, Sandra M.
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The Villanelle: Metatextuality, Intertextuality and Intermediality
, 2021 versión ...
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