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History and methodological basis of contemporary art criticism
Vestnik of Saint Petersburg State University of Culture, 2023Art criticism and art history journalism have gone from theoretical treatises to axiological judgments in the XVIII–XIX centuries and to an interpretive approach in the XX–XXI centuries. At the present stage, the theory of art tends to the sphere of philosophy, aesthetics, cultural anthropology, sociology, new art criticism replaces the theory of art ...
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Media, Art and History: Some Methodological Reflections
Media History, 2018It is an honor and pleasure to read three thorough and engaged responses to Mr. Collier’s Letter Racks.
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Knowledge Production in the Arts: History, Concept and Methodological Considerations *
Peripeti, 2021Since the 1990s, the term knowledge production has been used to designate a set of artistic practices mainly within what would be termed critical art and theory, especially in a European and North American context. This article follows the concept of knowledge production from its inception in the twentieth century’s neoliberal economy into visual arts ...
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Asen and Methodology in Art History
African Arts, 2007The short article on asen by Edna Bay (Afii can Arts vol. 40, no. 1, pp. 6-8), after her analysis of Suzanne Blieres contribution to a catalogue, is, in fact, an invitation to give careful thought to methods used in art history in general and to how we, as art historians, use data collected from the field, in particular.
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Evolving Methodologies: Computation in Art History
This essay delves into methodology as the core element to integrate computation within the practice of art history. A cursory examination over time reveals how art history has witnessed various methodological shifts that guide the study of cultural objects.openaire +3 more sources
Sirarpie Der Nersessian’s Art History Methodology
2018In this research; details of the art history research methodology used by Sirarpie Der Nersessian, the historian of the Byzantine and Armenian art, in academic publications were identified and understood to be a three-stage method of technical, artistic and iconography.
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Arts’ Histories: Simultaneity as a Methodological Approach
ECAH Official Conference ProceedingsIriane Leme, Regilene Sarzi-Ribeiro
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