Results 41 to 50 of about 1,226,849 (243)
La primera obra de temática migratoria en el teatro mexicano : Los que vuelven, de Juan Bustillo Oro
Les Cahiers ALHIM, 2009 The Teatro de Ahora (1932) was created by Juan Bustillo Oro and Mauricio Magdaleno with the purpose of putting on stage the socio-political issues that affected Mexico after the civil war period called the Mexican Revolution. These two authors wrote and
Guillermo Schmidhuber de la Mora
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Amnis, 2012 Throughout the XXth century, the Mexican hegemonic party system obscured the existence of political and social cleavages within the Mexican society. Analysts and academics never showed interest in applying the cleavages theory to a case like Mexico. From
Rubén Torres Martínez
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Spies, Assassins, and Statesmen in Mexico’s Cold War
European Review of Latin American and Caribbean Studies, 2017 Book Review Essay Eclipse of the Assassins. The CIA, Imperial Politics, and the Slaying of Mexican Journalist Manuel Buendía, by Russell H. Bartley and Sylvia Erickson Bartley. University of Wisconsin Press, 2015. Mexico’s Cold War.
Wil G. Pansters
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Nuevo mundo - Mundos Nuevos, 2018 This article represents a relative history in the establishment of the scout movement in Mexico. It is to be shown that movement promotions by the Mexican government started at the end of the XIX century until 1929.
Ivonne Meza Huacuja
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El Manicomio General La Castañeda en México.
Nuevo mundo - Mundos Nuevos, 2009 This paper analyzes the clinical files from two inmates in the General Insane Asylum La Castañeda (Mexico City) during the Revolution (1910-1920). It exposes three aspects: First, the methodological problem that this kind of files present.
Andrés Ríos Molina
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La devoción del salvaje. Religiosidad zapatista y silencio gráfico
L'Ordinaire des Amériques, 2015 During the official period of the Mexican Revolution, 1910 – 1919, the armed movement headed by Emiliano Zapata was a permanent subject for photographers working for the Press in Mexico City. Except for the short period of the Conventionist Government in
Ariel Arnal
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Dwight Morrow and the Mexican Revolution [PDF]
The Hispanic American Historical Review, 1958 HEN DEATH eame suddenly to Dwight Morrow in October, 1931, hardly more than a year after he had resigned his Mexican post, the eulogistic statements by Mexican officials and the editorial comment in the press went far beyond the requirements of international courtesy.' Indeed, they tended to reflect a genuine affection for the man and a perception that
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Los indígenas: ¿víctimas o actores de la construcción del Estado-Nación?
Nuevo mundo - Mundos Nuevos, 2015 When observing mexicain paintings and engravings made and after the revolution and comparing them to those produced during the governments of Porfirio Díaz, one can perceive how the history of a nation conceived as half-blood was built and simplified ...
Helia Bonilla, Marie Lecouvey
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Le Mexique populaire et les images tragiques. Sur les traces de l’artiste Nicolás De Jesús
Images Re-Vues, 2008 This article begins with the following question: “Can one laugh at tragic images?”. It starts off in Mexico, where burlesque has a long tradition. Examining certain visual and literary images produced since the Mexican Revolution of 1910 serves as an ...
Patrice Giasson
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Frank Tannenbaum and the Mexican Revolution
International Labor and Working-Class History, 2010 AbstractThis article examines Frank Tannenbaum's engagement with Mexico in the crucial years following the Revolution of 1910–1920 and his first visit to the country in 1922. Invited—and feted—by the government and its powerful labor allies, Tannenbaum soon expanded his initial interest in organized labor and produced a stream of work dealing with ...
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