Results 21 to 30 of about 53 (50)
LA MEXICANIDAD EN EL ESTILO DE SOR JUANA (1951)
Revista Iberoamericana, 2002 openaire +2 more sources
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La Mexicanidad desde el cine mexicano
Anuario Mexicano de Asuntos Globales, 2023La invención del cine trajo un nuevo aporte al entretenimiento y ocio en la historia del mundo. Para el caso de México, la llegada del cine, y la generación de una industria alrededor de este, proporcionó una herramienta muy útil para diferentes elementos de la vida pública, interior y exterior del país, al servir como formador de identidad.
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Reorienting Mexicanidad and the Catholic Narrative
Latin American and Latinx Visual Culture, 2023From his provincial origins in the small northern Mexico town of Múzquiz, Coahuila, to achieving international standing at the time of his early death at the age of forty-seven, Julio Galán (1958–2006) crossed borders between Monterrey, New York City, and Paris to emerge among Neo-Expressionist and neomexicanista artists of the 1980s as radically ...
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Performing mexicanidad: Criminality and lucha libre
Crime, Media, Culture: An International Journal, 2010Juana Barraza Samperio, a wrestler known as la Dama del Silencio (the Lady of Silence), has been declared the first female serial killer in Mexico. In January 2006, Barraza was arrested as the alleged Mataviejitas (the little old lady killer), a serial killer of elderly women in Mexico City whom police had struggled for two years to apprehend. La Dama
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Queening/Queering Mexicanidad: Lucha Reyes and the Canción Ranchera
Feminist Formations, 2016Despite recording over one hundred songs and earning the moniker “la reina de los mariachis” (the queen of mariachis), very little is known about the life and career of the Mexican ranchera singer Lucha Reyes (1906–1944). In this article, we examine why her achievements are overlooked and often excluded in accounts that celebrate Mexico’s most prized ...
Marie Sarita Gaytán, Sergio de la Mora
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Listening to el Southside: Kap G’s Southern Mexicanidad
Labor, 2019As part of the New Directions of the Latina/o South forum, this essay centers southern Latina/o cultural productions to examine practices of representation through Kap G’s rap texts. As the first popular Mexican American rapper from Atlanta, Georgia, Kap G lyrically and visually works to represent a southern Mexicanidad through his songs, music videos,
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