Results 1 to 10 of about 264 (116)

Michel Houellebecq: Podvolení

open access: yesHistorická sociologie, 2018
Recenze: Michel Houellebecq: Podvolení. Praha: Odeon, 2015, 248 s.
Karel Černý
doaj   +2 more sources

Michel Houellebecq’s Transmedial Œuvre: Extension of the Realm of Creative Intervention

open access: yesItinéraires, 2017
This article analyses Michel Houellebecq’s use of multimedia in order to reveal how he creates transmedial worlds that cross media thresholds. Through plurimedial combinations, expansive adaptations, and post-textual work, Houellebecq extends the realms ...
Ashley Harris
exaly   +3 more sources

Two freedoms. (Poetic) fragments of Michel Houellebecq

open access: yesActa Universitatis Lodziensis Folia Litteraria Polonica, 2017
This article discusses the poetry of Michel Houellebecq. Its reading as a world-view statement is defined by its key notion of freedom. The thus specified reading enables one to identify various meanings of the notion included in the poems of the French ...
Tomasz Wójcik
exaly   +3 more sources

Writing the History of Neoliberalism in the Contemporary French Novel: François Roux and Michel Houellebecq

open access: yesHumanities
Structured around pivotal elections in France and the United States, recent novels by François Roux and Michel Houellebecq weave together fictional characters with their historical referents, tracing a history of neoliberal economics and its effects on ...
Charles Rice-Davis
exaly   +3 more sources

Interrogations (para)littéraires sur l’art en tant que destruction [PDF]

open access: yesSvět Literatury, 2022
The Goncourt Prize novel of Michel Houellebecq focuses on the parable of a fictional artist, Jed Martin, whose production ranges from photos of road maps to videos on manufactured products’ degradation, via portraits of people representing jobs.
Marika Piva
doaj   +1 more source

Penser la narrativité contemporaine : La Carte et le territoire, formidable autoportrait de l’écrivain Michel Houellebecq

open access: yesRelief: Revue Électronique de Littérature Francaise, 2018
Les romans de Houellebecq sont un vaste corpus où s’affrontent différentes tendances artis­tiques qui peuvent lutter les unes contre les autres dans une même œuvre.
Sabine van Wesemael
doaj   +5 more sources

Ritratto dell'artista da lavoratore. Posture estetiche in La carte et le territoire

open access: yesBetween, 2023
Secondo Lipotevsky e Serroy, il bello è assurto a nuovo requisito ontologico: il fenomeno estetico si è espanso fuori dai suoi confini tradizionali suggestionando la realtà e soprattutto la dimensione economica.
Aldo Baratta
doaj   +1 more source

A novel for an ageing population? Masculinity and demographic shift in David Lodge's Deaf Sentence (2008)

open access: yesLiterature Compass, Volume 20, Issue 10-12, October-December 2023., 2023
Abstract This article examines David Lodge's novel Deaf Sentence (2008), which focuses on the life of Desmond, a retired professor of linguistics. I argue that this text offers a standpoint through which readers can visualise the global phenomenon of population ageing and address the question of global responsibility. I look at Deaf Sentence within the
Stefano Rossoni
wiley   +1 more source

The crisis of love in Michel Houellebecq’s Sérotonine

open access: yesOrbis Litterarum, Volume 77, Issue 6, Page 355-370, December 2022., 2022
Abstract In this article I argue that Michel Houellebecq’s novelistic descriptions of isolated and depressed protagonists in Sérotonine (2019) and in his earlier novels should not simply be read as symptomatic of the crisis of love in late capitalism. By focusing on situations where love might or might not manifest itself, Houellebecq also explores the
Christian Refsum
wiley   +1 more source

‘NACH UND NACH MÜSSEN WIR ALLES ABLEHNEN’: HYPERBOLISCHE NEGATIVITÄT BEI THOMAS BERNHARD

open access: yesGerman Life and Letters, Volume 74, Issue 1, Page 30-46, January 2021., 2021
Abstract Thomas Bernhard's work abounds in rejections. The impulse of not wanting to participate, of refusing to be complicit, lies at the heart of Bernhard's oeuvre. If this refusal is frequently embedded in discursive or even programmatic strategies, it really seems to undermine its own foundations, the very arguments and justifications put forward ...
Jan Knobloch
wiley   +1 more source

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