Results 1 to 10 of about 264 (116)
Recenze: Michel Houellebecq: Podvolení. Praha: Odeon, 2015, 248 s.
Karel Černý
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Michel Houellebecq’s Transmedial Œuvre: Extension of the Realm of Creative Intervention
This article analyses Michel Houellebecq’s use of multimedia in order to reveal how he creates transmedial worlds that cross media thresholds. Through plurimedial combinations, expansive adaptations, and post-textual work, Houellebecq extends the realms ...
Ashley Harris
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Two freedoms. (Poetic) fragments of Michel Houellebecq
This article discusses the poetry of Michel Houellebecq. Its reading as a world-view statement is defined by its key notion of freedom. The thus specified reading enables one to identify various meanings of the notion included in the poems of the French ...
Tomasz Wójcik
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Structured around pivotal elections in France and the United States, recent novels by François Roux and Michel Houellebecq weave together fictional characters with their historical referents, tracing a history of neoliberal economics and its effects on ...
Charles Rice-Davis
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Interrogations (para)littéraires sur l’art en tant que destruction [PDF]
The Goncourt Prize novel of Michel Houellebecq focuses on the parable of a fictional artist, Jed Martin, whose production ranges from photos of road maps to videos on manufactured products’ degradation, via portraits of people representing jobs.
Marika Piva
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Les romans de Houellebecq sont un vaste corpus où s’affrontent différentes tendances artistiques qui peuvent lutter les unes contre les autres dans une même œuvre.
Sabine van Wesemael
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Ritratto dell'artista da lavoratore. Posture estetiche in La carte et le territoire
Secondo Lipotevsky e Serroy, il bello è assurto a nuovo requisito ontologico: il fenomeno estetico si è espanso fuori dai suoi confini tradizionali suggestionando la realtà e soprattutto la dimensione economica.
Aldo Baratta
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Abstract This article examines David Lodge's novel Deaf Sentence (2008), which focuses on the life of Desmond, a retired professor of linguistics. I argue that this text offers a standpoint through which readers can visualise the global phenomenon of population ageing and address the question of global responsibility. I look at Deaf Sentence within the
Stefano Rossoni
wiley +1 more source
The crisis of love in Michel Houellebecq’s Sérotonine
Abstract In this article I argue that Michel Houellebecq’s novelistic descriptions of isolated and depressed protagonists in Sérotonine (2019) and in his earlier novels should not simply be read as symptomatic of the crisis of love in late capitalism. By focusing on situations where love might or might not manifest itself, Houellebecq also explores the
Christian Refsum
wiley +1 more source
‘NACH UND NACH MÜSSEN WIR ALLES ABLEHNEN’: HYPERBOLISCHE NEGATIVITÄT BEI THOMAS BERNHARD
Abstract Thomas Bernhard's work abounds in rejections. The impulse of not wanting to participate, of refusing to be complicit, lies at the heart of Bernhard's oeuvre. If this refusal is frequently embedded in discursive or even programmatic strategies, it really seems to undermine its own foundations, the very arguments and justifications put forward ...
Jan Knobloch
wiley +1 more source

