Results 51 to 60 of about 75,565 (190)

Strategic materials and state capacity in Renaissance Italy. The economic policies of ‘Roman saltpetre’ procurement

open access: yesThe Economic History Review, EarlyView.
Abstract Demonstrating the existence of a soaring demand for strategic materials in fifteenth‐century Rome, the article pioneers research in the late medieval trade in saltpetre, the irreplaceable, rare component of gunpowder, indispensable for waging war following the diffusion of artillery technology.
Fabrizio Antonio Ansani
wiley   +1 more source

MICHELANGELO AND CONTEMPORARY SCIENCE [PDF]

open access: yesHum, 2010
This paper aims to make comparisons between basic scientific theories and big artificial master-pieces. This noneveryday attempt of connecting seemingly heterogeneous disciplines was a result of thinking that modern science offers us possibility for ...
Ljiljana Rajković
doaj  

Playas y espadas de Caravaggio

open access: yesRevista Científica UISRAEL, 2019
Aquí entramos de lleno en el mundo del arte a través de una figura emblemática: el pintor Michelangelo Merisi, más conocido como Caravaggio, y el sorprendente y maravilloso hallazgo reciente (en el 2014, apenas hace cinco años) de una pintura que ...
Armando Valdés Zamora
doaj   +1 more source

Motivi di ecfrasi dantesca in Michelangelo secondo Benedetto Varchi: ancora sulle Due lezzioni all'Accademia fiorentina

open access: yesQuaderns d'Italià, 2021
Il saggio si propone di individuare la peculiare prospettiva dell'umanista Benedetto Varchi in relazione all'uso che della Commedia dantesca fa Michelangelo Buonarroti.
Alessandra Tramontana
doaj   +1 more source

Chasing the perfida Albione: Anglo‐Italian productivity gap in the late 1930s

open access: yesThe Economic History Review, EarlyView.
Abstract This paper presents new estimates of Anglo‐Italian labour productivity levels in manufacturing in the late 1930s, derived using the standard single‐deflation approach. The findings confirm a substantial productivity gap between Italy and the United Kingdom at the aggregate level, alongside pronounced intersectoral heterogeneity.
Tancredi Salamone
wiley   +1 more source

Michelangelo e il progetto di architettura [PDF]

open access: yes, 2006
Recensione della mostra "Benchè non sia mia professione. Michelangelo e il disegno di architettura", Vicenza, Palazzo Barbaran da Porto, 17 settembre - 10 dicembre 2006 Firenze, Casa Buonarroti, 15 dicembre 2006 - 19 marzo 2007.
Malcovati S., Caja M.
core  

The Incarnational Aesthetic of David Brown☆

open access: yesInternational Journal of Systematic Theology, EarlyView.
Abstract The notion of incarnation has historically been a prominent concept for the acceptance of images and the interpretation of art within Christianity. A contemporary proponent of this line of reasoning about the theological potential of art is David Brown, who builds his theology of culture on the doctrine of incarnation. This article presents an
Filip Taufer
wiley   +1 more source

Francesco Sansovino as a detractor of Michelangelo? – An unnoticed biographical profile of Michelangelo between praise and blame. Auszüge aus: Francesco Sansovino, Della Cronica Universale del Mondo (Venedig 1574) (FONTES 43) [PDF]

open access: yes, 2009
Francesco Sansovino's Italian re-edition of Giacomo Filippo Foresti's "Supplementum chronicarum" contains in its third part (“parte terza”; Venezia 1574), which consists of additions for the years 1490-1574, an unnoticed biographical profile of ...
Sansovino, Francesco
core  

The analytic index for a family of Dirac-Ramond operators [PDF]

open access: yes, 2009
We derive a cohomological formula for the analytic index of the Dirac-Ramond operator and we exhibit its modular properties.Comment: 6 ...
Berry, O. Alvarez, P. Windey
core   +5 more sources

Antonioni reinterpreta “lo insólito” de Cortázar: investigación fotoquímica, mecanográfica y cinematográfica = Antonioni reinterprets "the incredible" by Cortázar: photochemical, mechanical and cinematographic research

open access: yesEstudios Humanísticos. Filología, 2016
Michelangelo Antonioni (Blow-Up, 1966) traduce las formas literarias de Julio Cortázar (Las babas del diablo, 1959), extremadamente visionarias, en una interrogación sobre las posibilidades epistemológicas del lenguaje cinematográfico.
Ludovico Longhi, Valerio Carando
doaj   +1 more source

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