Cartas escolhidas (Michelangelo – edição de Maria Berbara)
Convergência Lusíada, 2017 Resenha de BUONARROTI, Michelangelo. Cartas escolhidas: prefácio, seleção, tradução e notas de Maria Berbara. Campinas: Editora da Unicamp, 2009.
Elisa Byington
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Giorgio Vasari: "Allo Illustre, e Molto Magnifico M. Alessandro De' Medici (...)", Firenze, 6 February 1568, fol. [2]r, in: Vita Del Gran Michelagnolo Buonarroti. Scritta da M. Giorgio Vasari, Scrttore & Architetto Aretino. Con le sue Magnifiche Essequie stategli fatte in Fiorenza. Dall' Achademia Del Disegno (Florenz 1568). (FONTES 20) [PDF]
, 2008 FONTES 20 publishes the dedication letter of Giorgio Vasari (2.02.1568) of the Vita del Gran Michelagnolo to Alessandro di Ottaviano de' Medici, the future Pope Leo XI, of Vasari's extract of his vita of Michelangelo from his Lives of the artists (1568)
Vasari, Giorgio
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On Architectural Practice and Arithmetic Abilities in Renaissance Italy
Architectural Histories, 2015 The article examines the figure of the architect at work in Renaissance Italy, when a major change occurred in the practice of design with the spread of arithmetic. This deep scientific, technical, methodological, and cultural shift involved the image of
Giulia Ceriani Sebregondi
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Cosimo Bartoli and Michelangelo. A study of the sources for Michelangelo by Bartoli with excerpts from the Ragionamenti accademici di Cosimo Bartoli gentil' humo et accademico fiorentino, sopra alcuni luoghi difficili di Dante (Venezia: de Franceschi, 1567) and other works by Bartoli (FONTES 64) [PDF]
, 2012 FONTES 64 is a study of the sources for the life and art of Michelangelo Buonarroti written by Cosimo Bartoli (1503-1572), a Florentine humanist, translator, art theorist, and diplomat.
Bartoli, Cosimo
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Phenomenology of Revelation: Faith, Truth, and the Darkness of God in Sixteenth-Century Italy
ReligionsThis essay unfolds a phenomenology of revelation in sixteenth-century Italy and elucidates its undergirding concepts of faith, truth, and divine darkness.
Sarah Rolfe Prodan
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Afrescos pedagógicos: arte sistina, interdisciplinaridade e ensino religioso
Cadernos CajuínaO presente artigo propõe uma análise interdisciplinar dos afrescos da Capela Sistina, de Michelangelo Buonarroti, como recurso pedagógico aplicado ao Ensino Religioso.
Eliuson Antonio de Azevedo
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Ars & Humanitas, 2015 Študija je posvečena zanimivemu primeru recepcije specifične grafične predloge na Slovenskem v času protireformacije. V Srednji Evropi izjemno priljubljeni bakrorez s Poslednjo sodbo, ki ga je ok.
Gašper Cerkovnik
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The Global Conflict Risk Index: A quantitative tool for policy support on conflict prevention
Progress in Disaster Science, 2020 In an effort to bridge the gap between academic and governmental initiatives on quantitative conflict modelling, this article presents, validates and discusses the Global Conflict Risk Index (GCRI), the quantitative starting point of the European Union ...
Matina Halkia +4 more
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A Phenomenological “Aesthetics of Isolation” as Environmental Aesthetics for an Era of Ubiquitous Art [PDF]
, 2018 Here the concept of the human being as a “relatively isolated system” developed in Ingarden’s later phenomenology is adapted into an “aesthetics of isolation” that complements conventional environmental aesthetics.
E. Gladden, Matthew
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Between, 2013 Michelangelo wrote two versions of the madrigal n. 118; the second one transforms the meaning of the first from the profane to the sacred, with minor variants. Both are included in the archive of texts known as ‘canzoniere’.
Ida Campeggiani
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