Results 51 to 60 of about 199 (154)
A poesia, em seu sentido mais amplo, surge como ponto de partida para todos os conhecimentos acerca do homem e do mundo. Assim, o poeta não é apenas um artista que produz versos, mas o que busca uma intermediação entre o humano e o divino.
Flávia Vieira da Silva do Amparo
doaj
The last restoration of Michelangelo’s frescoes in the Sistine Chapel was directed and conducted by the internal staff of the Vatican Museums, in the period from June 1980 to April 1994.
Gianluigi Colalucci
doaj +1 more source
In the framework of the Copernicus Emergency Management Service (EMS) Mapping Validation, the applicability of the MultiTemporal Coherence (MTC) technique using Sentinel-1 data and the software made available by the European Space Agency (ESA), the ...
Uxue Donezar +6 more
doaj +1 more source
CENÁRIOS DE BELEZA COMO PORTAIS UTOPISTAS PARA RE-PENSAR A EDUCAÇÃO PELA ARTE RENASCENTISTA
Este artigo propõe uma reflexão poética-crítica-analítica a partir de um estudo sobre a arte renascentista e suas implicações na educação contemporânea, levando em consideração os ideais estéticos e pedagógicos, averiguando em que medida os ideais ...
Euripa Aparecida Ribeiro de Alcântara +2 more
doaj +1 more source
The Unseen Truth of God in Early Modern Masterpieces
God the Father was considered so completely inexpressible and unembodied that his visual appearance in early modern masterpieces has long challenged the theological accuracy of such works. A recent discovery complicates that issue.
Simon Abrahams
doaj +1 more source
The faces hidden in the anatomy of Michelangelo Buonarroti's Pietà in the Vatican. [PDF]
De Campos D, Buso L.
europepmc +1 more source
Investigating coping and stigma in people living with HIV through narrative medicine in the Italian multicentre non-interventional study DIAMANTE. [PDF]
Antinori A +17 more
europepmc +1 more source
A late self-portrait of Michelangelo Buonarroti (1475-1564) in the cartoon of the Epifania in the British Museum. [PDF]
De Campos D, Buso L.
europepmc +1 more source
The article interprets Michelangelo's Crucifixion of St. Peter (1547–1550)—whose anticlassical style has puzzled critics, both Renaissance and modern—as an allegorical work destined for viewers belonging to the newly-evangelized regions of Africa ...
Sara Lovisolo
doaj +1 more source
Deaf sign language hidden in the fresco The Crucifixion of Saint Peter by Michelangelo Buonarroti (1475-1564). [PDF]
De Campos D, Buso L.
europepmc +1 more source

