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A Companion to the Eucharist in the Middle Ages

, 2011
The Eucharist in the European Middle Ages was a multimedia event. First and foremost it was a drama, a pageant, a liturgy. The setting itself was impressive. Stunning artwork adorned massive buildings.
I. Levy, Gary Macy, Kristen Van Ausdall
semanticscholar   +1 more source

The Middle Ages [PDF]

open access: possible, 2017
Nils Gilje, Gunnar Skirbekk
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The Middle Ages

1937
The form of international relations in mediaeval times varies considerably from that in ancient Greece and Rome. The political persons in the Middle Ages were not independent city-states like ancient Greece, nor one supreme political power like Rome, but a variety of political and religious entities, all competing with each other for something which ...
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The Middle Ages

1992
The Middle Ages were of great importance in the history of salt. Between 1000 and 1500, the major characteristics of the salt trade as it was to remain until the coming of industrialism, were defined in a pattern of a double global bifurcation.
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The Middle Ages

1991
The centuries between the fall of the Roman Empire in the west and the Renaissance are loosely called the ‘Middle Ages’. Waves of barbarian invaders, Goths, Huns and Vandals, swept over the imperial frontiers in the last decades of the fourth century AD until Alaric, King of the Visigoths, eventually captured and sacked Rome itself in the last year of ...
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Middle aged medicine

BMJ, 2014
The greatest joy of youth is the lack of insight. We think we know everything because we have so little life experience we don’t know any better. But life experience isn’t optional. We age, uncertainty replaces certainty, confidence is replaced by insecurity, invincibility is replaced by vulnerability, and what was once important is now unimportant. We
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Composers in the Middle Ages

A reflection on the idea of the "composer" in the medieval period, including a study of the individuals and groups active in the creation of medieval music.The modern concept of the individual composer is central to accounts of Western music, and continues to represent a critical field of research in musicology.
Rillon-Marne, Anne-Zoé   +1 more
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Return To the Middle Ages

Western Political Quarterly, 1949
D URING the First World War it was usual for the Allies to represent their cause as that of democracy, which was defined as the free and spontaneous movement of the human spirit, unfettered by logic. Germany, on the other hand, stood for machine-like regularity and cold, calculating rationality.
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