Results 81 to 90 of about 1,191 (160)

Sitting Forward or Sitting Back::Highbrow v. Middlebrow Reading

open access: yes, 2011
This article begins by asserting that the distinction between high and middlebrow literary texts rests fundamentally not on literary merit or cultural hierarchies but on the culture and practices of reading as they changed and developed in the first ...
Humble, Nicki; id_orcid, Nicola Humble
core   +1 more source

Appel : Colloque Middlebrow / Moyen (extension de la date limite)

open access: yes, 2013
European Middlebrow Cultures Talking about middlebrow in different languages URL de référence : http://europeanmiddlebrow.wordpress.com/ Due to pleading from colleagues who have not yet come off the beach, the deadline for abstracts has been extended to
laurencevn
core  

Magyar vígopera mint middlebrow kultúra - Az elitkultúra és a presztízs problémája = Hungarian comic opera as middlebrow culture – The problem of the elite culture and prestige [PDF]

open access: yes, 2019
20. századi magyar vígoperák struktúrájának elemzését követően arra a következtetésre jutottunk, hogy az adott művek pontosabban értelmezhetőek a middlebrow kultúra terminus felől.
Lengyel, Emese
core  

Middlebrow Queer: Christopher Isherwood in America

open access: yes, 2013
How could one write about gay life for the mainstream public in Cold War America? Many midcentury gay American writers, hampered by external and internal censors, never managed to do it.
Harker, Jaime
core  

Panel. Faulkner and the Middlebrow [PDF]

open access: yes, 2015
Wild Palms, The Mansion, and Faulkner\u27s Middlebrow Domestic Fiction / Jaime Harker, University of MississippiWilliam Faulkner’s middlebrow aspirations were largely centered on the Saturday Evening Post during the interwar period; unlike many modernist
Harker, Jaime L.
core  

Consensual pleasures:Amazing Grace, oratory and the middlebrow biopic

open access: yes, 2014
In contrast to much scholarship on the contemporary biopic, which often celebrates exceptional films and “auteur” experimentation with conventional biographical forms, this chapter examines the biopic at its most “middlebrow”.
Brown, Tom; id_orcid
core  

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