Results 231 to 240 of about 277,420 (291)
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Computer Music Journal, 1988
The Musical Instrument Digital Interface (MIDI) is now a de facto standard for the digital representation of musical events. Actions of live musical performers are being "MIDIfied," commercial software is being based on MIDI-gated conceptions, and digital synthesizers are being slaved to MIDI masters.
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The Musical Instrument Digital Interface (MIDI) is now a de facto standard for the digital representation of musical events. Actions of live musical performers are being "MIDIfied," commercial software is being based on MIDI-gated conceptions, and digital synthesizers are being slaved to MIDI masters.
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MIDI-GPT: A Controllable Generative Model for Computer-Assisted Multitrack Music Composition
AAAI Conference on Artificial IntelligenceWe present and release MIDI-GPT, a generative system based on the Transformer architecture that is designed for computer-assisted music composition workflows.
Philippe Pasquier +6 more
semanticscholar +1 more source
Aria-MIDI: A Dataset of Piano MIDI Files for Symbolic Music Modeling
International Conference on Learning RepresentationsWe introduce an extensive new dataset of MIDI files, created by transcribing audio recordings of piano performances into their constituent notes. The data pipeline we use is multi-stage, employing a language model to autonomously crawl and score audio ...
Louis Bradshaw, Simon Colton
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MidiCaps: A Large-Scale MIDI Dataset With Text Captions
International Society for Music Information Retrieval ConferenceGenerative models guided by text prompts are increasingly becoming more popular. However, no text-to-MIDI models currently exist due to the lack of a captioned MIDI dataset.
J. Melechovský +2 more
semanticscholar +1 more source
Midi-Voice: Expressive Zero-Shot Singing Voice Synthesis via Midi-Driven Priors
IEEE International Conference on Acoustics, Speech, and Signal ProcessingRecently, singing voice synthesis (SVS) models have shown significant progress with generative models. However, previous SVS models inaccurately predict prior and fundamental frequency (F0) for unseen speakers, resulting in a low-quality generated ...
Dong-Min Byun +3 more
semanticscholar +1 more source
IEEE/ACM Transactions on Audio Speech and Language Processing, 2019
With the advances of machine learning technologies, data-driven feature extraction and sequence modeling approaches are being widely explored for automatic chord recognition tasks.
Yiming Wu, Wei Li
semanticscholar +1 more source
With the advances of machine learning technologies, data-driven feature extraction and sequence modeling approaches are being widely explored for automatic chord recognition tasks.
Yiming Wu, Wei Li
semanticscholar +1 more source
2005 IEEE Conference on Emerging Technologies and Factory Automation, 2006
This paper describes a preliminary work carried on to assess the use of Bluetooth technology to transport MIDI data streams. The proposed approach is based on the well-known Bluetooth serial port profile. Although the music field motivated the work, the results are significant for the use of the profile in time critical applications such as industrial ...
Paulo Bartolomeu +4 more
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This paper describes a preliminary work carried on to assess the use of Bluetooth technology to transport MIDI data streams. The proposed approach is based on the well-known Bluetooth serial port profile. Although the music field motivated the work, the results are significant for the use of the profile in time critical applications such as industrial ...
Paulo Bartolomeu +4 more
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MIDI, Music and Me: Students' Perspectives on Composing with MIDI
Music Education Research, 2001This study investigated student perceptions of the educational usefulness of writing music using MIDI sequencing software packages. Semi-structured interviews were conducted with two groups of tertiary students who had different levels of experience with MIDI technology.
Samuel Airy, Judy M. Parr
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Computer Music Journal, 2000
Commenting on Anton Webern's music, Pierre Schaeffer addressed the concept of a musical expression that is highly organized but at the same time capable (by means of timbre and textural variations) of hiding or showing part of its internal structure-even exposing something other than its internal structure (Pierret 1969).
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Commenting on Anton Webern's music, Pierre Schaeffer addressed the concept of a musical expression that is highly organized but at the same time capable (by means of timbre and textural variations) of hiding or showing part of its internal structure-even exposing something other than its internal structure (Pierret 1969).
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2016
MIDI is a language for digital communication between electronic instruments and computers. It is modeled to imitate the movement of the fingers, staying down, going up and so on. It is a low level language which tells you what to do without any deeper understanding. It is very important for electronic and pop music.
Guerino Mazzola +4 more
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MIDI is a language for digital communication between electronic instruments and computers. It is modeled to imitate the movement of the fingers, staying down, going up and so on. It is a low level language which tells you what to do without any deeper understanding. It is very important for electronic and pop music.
Guerino Mazzola +4 more
openaire +1 more source