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2013
This chapter describes the following Midrashic texts: Mekhilta DeRabbi Yishmael; Mekhilta DeRabbi Shimon bar Yoṭai; Sifra; Sifre Numbers; Sifre Zuta (Numbers); Sifre Deuteronomy; Mekhilta Deuteronomy (Midrash Tannaim); Sifre Zuta (Deuteronomy); Baraita DeMelekhet HaMishkan; Genesis Rabbah; Leviticus Rabbah; Pesiqta DeRav Kahana; Lamentations Rabbati ...
Eyal Ben-Eliyahu +2 more
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This chapter describes the following Midrashic texts: Mekhilta DeRabbi Yishmael; Mekhilta DeRabbi Shimon bar Yoṭai; Sifra; Sifre Numbers; Sifre Zuta (Numbers); Sifre Deuteronomy; Mekhilta Deuteronomy (Midrash Tannaim); Sifre Zuta (Deuteronomy); Baraita DeMelekhet HaMishkan; Genesis Rabbah; Leviticus Rabbah; Pesiqta DeRav Kahana; Lamentations Rabbati ...
Eyal Ben-Eliyahu +2 more
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2017
Abstract An enduring mode of retelling and interpretation, the genre of rabbinic midrash can be adopted as a model for the study of biblical adaptation as well as adaptation writ large. This approach is source-centered, always emphasizing the relationship of the new text to the original text.
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Abstract An enduring mode of retelling and interpretation, the genre of rabbinic midrash can be adopted as a model for the study of biblical adaptation as well as adaptation writ large. This approach is source-centered, always emphasizing the relationship of the new text to the original text.
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2013
Midrash is arguably the most ancient genre of Jewish literature, forming a voluminous body of scriptural exegesis over the course of centuries. There is hardly anything in the ancient rabbinic universe that was not taught through this medium. The diversity and development of that creative profusion are presented here in a new light.
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Midrash is arguably the most ancient genre of Jewish literature, forming a voluminous body of scriptural exegesis over the course of centuries. There is hardly anything in the ancient rabbinic universe that was not taught through this medium. The diversity and development of that creative profusion are presented here in a new light.
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An annotated translation of a medieval Jewish interpretation of the Song at the Sea (Ex 15:1-18), exploring manuscript variants, textual parallels, exegetical significance, literary style and historical development.
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2014
This chapter turns to the Hebrew poetics of Palestinian Arab writers. It presents a close reading of poetry by Anton Shammas and his contemporaries Salman Masalha and Na'im 'Araidi. It argues that their poetry offers us a different window onto the question of Hebrew writing in a Palestinian hand.
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This chapter turns to the Hebrew poetics of Palestinian Arab writers. It presents a close reading of poetry by Anton Shammas and his contemporaries Salman Masalha and Na'im 'Araidi. It argues that their poetry offers us a different window onto the question of Hebrew writing in a Palestinian hand.
openaire +1 more source