Results 1 to 10 of about 20 (19)
Dekonstrukcije nasprotja med reprezentacijo in prezentacijo od neoavantgarde do pomilenija: od Pupilije, Jesiha in Jovanovića do Zupančiča, Živadinova, Frljića, Semenič in Divjaka [PDF]
Razprava se ukvarja z izbranimi primeri dekonstrukcij nasprotja med reprezentacijo in prezentacijo, značilnimi za postmimetično, od neoavantgarde do postmilenija.
Tomaž Toporišič
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Deconstructions of the Opposition Between Representation and Presentation from the Neo-avant-garde to the Post-millennium: From Pupilija, Jesih and Jovanović to Zupančič, Živadinov, Frljić, Semenič and Divjak [PDF]
The essay focuses on selected examples of the deconstruction of the opposition between representation and presentation, characteristic of post-mimetic art from the neo-avantgarde to the post-millennium.
Tomaž Toporišič
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The Theatre Experiment in Slovenia (1966–1986) and Its Echoes in Youth Drama – Andrej Rozman Roza [PDF]
In Slovenian (youth) literature, three authors who have worked in the field of drama and/or theatre stand out – namely, Svetlana Makarovič, academically trained actress (Sapramiška), Milan Jesih (Four Plays for Children, adaptations of Andersen’s fairy ...
Milena Mileva Blažić
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V slovenski (mladinski) književnosti izstopajo trije avtorji, ki so se ukvarjali z dramatiko in/ali gledališčem: to so Svetlana Makarovič, diplomirana igralka (npr. Sapramiška), Milan Jesih (Štiri igre za otroke, priredbe Andersenovih pravljic Cesarjeva
Milena Mileva Blažić
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Poeta, dramaturgo y traductor Milan Jesih nació el 14 de abril de 1950. Estudió Literatura comparada en Ljubljana. Ha sido miembro del grupo vanguardista 442. Vive en Ljubljana.
Milan Jesih
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Jesihov sonet kot govorni izziv
V prispevku razpravljam o slabem in dobrem glasnem branju literarnega besedila in poudarjam nujnost priprave za učinkovito izvedbo. Na primeru Jesihovega soneta Nekega dne, ob uri, ko mrači se predstavim pripravljalni postopek na glasno interpretativno ...
Katarina Podbevšek
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In the Name of Freedom: The Poetic Ludism of Milan Jesih
This paper examines how the demand for freedom was fulfilled in Milan Jesih’s poetry from different periods, paying particular attention to the origin of the label ludism. In the broader perception, language play was central to Slovenian ludism, but it flourished without a clear link to Derrida’s concept of the play of signification or Heidegger’s idea
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From neo-avant-garde to postmodernism: by the example of Milan Jesih poet
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Some of the next articles are maybe not open access.

