Results 51 to 60 of about 6,118 (224)
Tópicos, 2015 La noción de mímesis es, sin dudas, el concepto rector de la Poética de Aristóteles. Pese a la importancia que dicha noción reviste en este contexto, no se ofrecen allí elementos que permitan una clara y acotada significación del término.
Mariana Castillo Merlo
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Advanced Healthcare Materials, EarlyView.Self‐healing assembly of two cell‐laden hydrogel layers creates a biomimetic skin construct that restores both dermal and epidermal functions, resulting in accelerated wound healing and enhanced hair follicle regeneration in a full‐thickness skin wound model. ABSTRACT Alopecia remains a pervasive clinical challenge, largely owing to the limited ability
JaeWook Park +5 more
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Sobre el tiempo en Mímesis: Ricoeur entre San Agustín y Martín Heidegger
Kipus: Revista Andina de Letras y Estudios Culturales, 2019 Este artículo problematiza el concepto de Mímesis I en la propuesta de Paul Ricoeur sobre la Triple Mímesis, en Tiempo y narración. Para ello, el autor se detiene en uno de los tres componentes de dicho concepto: el carácter temporal.
Felipe Bastidas López
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Polyphenol‐Inspired Materials for Agricultural Applications
Advanced Materials, EarlyView.This review outlines the use of polyphenol‐inspired materials for sustainable agriculture, highlighting their molecular design, interfacial assembly, structure–property relationships, and prospects toward precision agriculture, climate resilience, ecosystem protection, and circular bioeconomy strategies.
Haofu Liu +8 more
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Mimetic Tradition and the Critical Theory
Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2018 Mimesis as a concept essentially refers to the basic principle that art, and therefore the artist, copies nature. In other words, the mimetic theory of art is particularly based upon the assumption that any form of representative arts is a copy of nature.
Barış Mete
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Idealistic identity and dialectical Mimesis in Adorno’s negative aesthetics
Filosofia Unisinos, 2013 Adorno points out the philosophical transcendence of art but –against Hegel– he does it on the base of the convergence of art and philosophy. That convergence is founded on the dialectic of mimesis discovered in the aesthetic experience.
Antonio Gutiérrez Pozo
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Engineering Metal‐Pocket Cooperativity in Single‐Atom COF Nanozymes for Selective Cascade Catalysis
Advanced Materials, EarlyView.A multilevel programming strategy is developed to engineer single‐atom COF nanozymes with tunable metal centers and chiral pockets inspired by heme–pocket cooperativity. This approach enables controlled metal–pocket interplay for asymmetric cascade catalysis, delivering high activity, selectivity, and recyclability in an asymmetric oxidation–aldol ...
Ziping Li +7 more
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Antípoda: Revista de Antropología y Arqueología, 2012 The topics developed in this essay are: Mythological memory and the subsistence of traditional cultures; colonialism and the destruction of mythological memories; Christian conversion, and the collapse of the American cosmos. The opposition of mythos and
Eduardo Subirats
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Homo Mimeticus: A New Theory of Imitation
Nesir: Edebiyat Araştırmaları DergisiThis is a book review of Nidesh Lawtoo's 2022 book titled Homo Mimeticus: A New Theory of Imitation. In the book Latwoo offers a "re-turn" to the concept of mimessis by revisiting the Western philosophical traditions starting from Plato to Baudrillard ...
Dhrubajyoti Sarkar
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Suñol, Viviana,Más allá del arte,Mimesis en Aristóteles.
Tópicos, 2013 Ediciones de la Universidad de la Plata (EDULP) presenta su cuarto título, Más allá del arte: Mimesis en Aristóteles, de Viviana Suñol. Este libro conjunta tanto el análisis filológico como la especulación filosófica.
Virginia Aspe Armella
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