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2021
The concept of mimesis is situated mainly in the field of aesthetics. Its relevance to the philosophy of nature must be considered from an aesthetic and historical perspective, since it has constantly been present in the histories of philosophy and art. This text focuses only on some important moments: Plato and Aristotle; modernity (essentially German
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The concept of mimesis is situated mainly in the field of aesthetics. Its relevance to the philosophy of nature must be considered from an aesthetic and historical perspective, since it has constantly been present in the histories of philosophy and art. This text focuses only on some important moments: Plato and Aristotle; modernity (essentially German
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2018
A portrait presents above all the tension of a relation, but not a relation to “someone” else. To the contrary, a relation between two characters is not necessarily a “double portrait” but could just as well be offering up a scene or narrative, whereas the portrait does not tell a story but arrests every kind of speech, narration, or declaration in ...
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A portrait presents above all the tension of a relation, but not a relation to “someone” else. To the contrary, a relation between two characters is not necessarily a “double portrait” but could just as well be offering up a scene or narrative, whereas the portrait does not tell a story but arrests every kind of speech, narration, or declaration in ...
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Mimesis dramatique, mimesis romanesque
2014The novelistic scene is a hybrid creature, born of both dramatic mimesis and novelistic mimesis. The increase of scenes with dialogue, the use of direct discourse, and the visual dimension of the episodes exist in tension with the retrospective narrative of the first person.
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2019
Il saggio prende in esame la 'mimesi' come concetto dell'estetica e dell'arte contemporanea, evidenziando in prima istanza il suo proporsi alternativo al piano della rappresentazione. Di qui la centralità del 'comportamento mimetico' (Adorno) per la sopravvivenza dell'arte in analogia con quella della vita animale, l'affermarsi della sua logica come ...
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Il saggio prende in esame la 'mimesi' come concetto dell'estetica e dell'arte contemporanea, evidenziando in prima istanza il suo proporsi alternativo al piano della rappresentazione. Di qui la centralità del 'comportamento mimetico' (Adorno) per la sopravvivenza dell'arte in analogia con quella della vita animale, l'affermarsi della sua logica come ...
openaire +1 more source