Results 211 to 220 of about 19,220 (311)

Tumor microenvironment-targeted PROTAC nanoparticle self-assembly broadly predicted by structural descriptors. [PDF]

open access: yesSci Adv
Vogt KC   +12 more
europepmc   +1 more source

Wetland plant growth in recycled glass sand versus dredged river sand: evaluating a new resource for coastal restoration

open access: yesRestoration Ecology, EarlyView.
Sand made from recycled glass cullet could supplement limited dredged river sand (dredge) in coastal wetland restorations; however, its suitability for wetland plants is unknown. In two experiments, we compared the biomass of several wetland plants in recycled glass sand to growth in dredge.
Elizabeth H. MacDougal   +5 more
wiley   +1 more source

Tudor England and Stewart Scotland Through Spanish Eyes: A Complete Transcription and Translation of Pedro de Ayala's Letter of 1498 to King Ferdinand of Castile and Queen Isabella of Aragon

open access: yesRenaissance Studies, EarlyView.
Abstract Pedro de Ayala served as a diplomat for King Ferdinand II of Aragon and Queen Isabella I of Castile at the courts of Henry VII, King of England, and James IV, King of Scots. In July 1498, he wrote a letter, partly in cipher, to report to his king and queen on such matters as Spain's interests in international diplomacy; the characters and ...
Adrian William Jaime   +2 more
wiley   +1 more source

The miracle of IVF

open access: yesJournal of Advanced Pharmaceutical Technology & Research, 2010
openaire   +4 more sources

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

Obesity and the Politics of Taddeo di Bartolo's Inferno

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley   +1 more source

If time = money, and time = brain, then money = brain. [PDF]

open access: yesInterv Neuroradiol
Dmytriw AA   +4 more
europepmc   +1 more source

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